More More More Said the Baby寶貝想要更多 英文原版 [平裝] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

Vera B. Williams（薇拉·B·威廉姆斯） 著，Vera B. Williams（薇拉·B·威廉姆斯） 繪

圖書標籤:

• Baby
• Board Book
• Early Learning
• Picture Book
• Children's Book
• Toddler
• Repetitive Text
• Language Development
• Interactive
• Bedtime Story

齣版社： HarperCollins US

ISBN：9780688147365

商品編碼：19005137

包裝：平裝

叢書名： A Caldecott Honor Book

齣版時間：1996-04-25

用紙：膠版紙

頁數：40

正文語種：英文

商品尺寸：24.89x0.51x27.94cm

編輯推薦

Amazon.com Review
From beneath the tickles, kisses, and unfettered affection showered on them by grownups, the children in Vera B. Williams' Caldecott Honor Book cry out for "more more more!" The stars of three little love stories--toddlers with nicknames like "Little Pumpkin"--run giggling until they are scooped up by adoring adults to be swung around, kissed, and finally tucked into bed. Quirky watercolor drawings and colorful text feature multiethnic families, and young readers will rejoice in seeing the center of all the attention: the wiggly, chubby, irresistible toddlers. (Baby to preschooler)

From School Library Journal
The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more . . . --Starr LaTronica, North Berkeley Lib . , CA
Copyright 1990 Reed Business Information, Inc.

內容簡介

Here are Little Guy, Little Pumpkin, and Little Bird. Their grownups love them. So will you.

作者簡介

Vera B. Williams lives in New York City.

In Her Own Words...

"Throughout my childhood I was encouraged to make pictures, tell stories, act, and dance--all of this at a heaven in our New York City neighborhood called the Bronx House.

"Saturdays I painted with a crusading art director, Florence Cane. In her book The Growth of the Child Through Art, I appear under the name Linda. I was sixteen when the book appeared and embarrassed by it. But at age nine I had been totally proud when a painting of mine was exhibited at the Museum of Modern Art and I was later shown in the Movietone News explaining to Eleanor Roosevelt its Yiddish title, "Yentas."

"In 1945 I went to Black Mountain College in North Carolina, a unique educational community. I graduated in 1949 in graphic art, which I studied with Josef Albers. Along the way I planted corn, made butter, worked on the printing press, and helped to build the house in which I lived with Paul Williams, a fellow student I married there.

"I wanted that connection of art and community to continue. And it did at the Gate Hill Cooperative, a community we built with other Black Mountain people, a poet, musicians, and potters. I lived and worked there from 1953-1970 (after which I moved to Canada). My children (Sarah, Jenny, Merce) grew up there. For them, we branched out into a school, part of the Surnmerhill movement. The gingerbread houses that led to my first book for Greenwillow I first made in sticky variety at our school. I have always liked to teach and have taught art, cooking, writing, nature study, for nursery age on.

"At forty-six, no longer married, living in a houseboat on the bay at Vancouver, British Columbia, I did my first book. But before that could happen, the fates decreed a stint of cooking and running a bakery at a small school in the Ontario countryside. My love affair with Canada included also a 500-mile trip on the Yukon River. Many of those adventures I put in Three Days on a River in a Red Canoe.

"I also write and draw for adults-short stories, leaflets, and posters. As a lover of children, I try to do what I can to help save their earth from nuclear disaster. This pursuit, too, has added its excitement to my biography, including, in 1981, a month's stay in the federal penitentiary in Alderson, West Virginia (an outcome of a women's peaceful blockade of the Pentagon). Perhaps this experience will some day appear in one of my books. So far I've found children's books a wonderfully accommodating medium where any of my various activities might pop up."

內頁插圖

精彩書評

"The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more..."
--School Library Journal

前言/序言

評分☆☆☆☆☆

孩子學英語囤貨中，不滿的事好久纔發貨，谘詢也有一茬沒一茬的

評分☆☆☆☆☆

京東很快，很好，還會繼續買買買

評分☆☆☆☆☆

很好的一本書形式多樣，我反正很喜歡 娃學校說要買的

評分☆☆☆☆☆

每天的親子共讀已經是一種習慣，是我和寶寶都期待、享受的美好時光。為每日的閱讀囤書，我自己先閱讀，再陸續推薦給孩子，育兒育己兩不誤。

評分☆☆☆☆☆

書真的不錯，活動價購買。字數補丁：服務承諾：京東商城嚮您保證所售商品均為正品行貨，京東自營商品開具機打發票或電子發票。憑質保證書及京東商城發票，可享受全國聯保服務（奢侈品、鍾錶除外；奢侈品、鍾錶由京東聯係保修，享受法定三包售後服務），與您親臨商場選購的商品享受相同的質量保證。京東商城還為您提供具有競爭力的商品價格和運費政策，請您放心購買！注：因廠傢會在沒有任何提前通知的情況下更改産品包裝、産地或者一些附件，本司不能確保客戶收到的貨物與商城圖片、産地、附件說明完全一緻。隻能確保為原廠正貨！並且保證與當時市場上同樣主流新品一緻。若本商城沒有及時更新，請大傢諒解！ 權利聲明：京東商城上的所有商品信息、客戶評價、商品谘詢、網友討論等內容，是京東商城重要的經營資源，未經許可，禁止非法轉載使用。 注：本站商品信息均來自於廠商，其真實性、準確性和閤法性由信息擁有者（廠商）負責。本站不提供任何保證，並不承擔任何法律責任。

評分☆☆☆☆☆

還可以。但感覺清晰度不是那麼的好。

評分☆☆☆☆☆

經常在京東買原版繪本，遇到活動時力度大的話真心很實惠。特彆喜歡買紙闆書，厚實手感好。會一直支持京東。多做活動哦。

評分☆☆☆☆☆

便宜好用不錯，質量有保證

評分☆☆☆☆☆

不錯，小朋友很是喜歡呢，要至少十個字