My Mother Is Mine 英文原版 [平装] [1岁及以上]

My Mother Is Mine 英文原版 [平装] [1岁及以上] pdf epub mobi txt 电子书 下载 2025

Marion Dane Bauer 著,Peter Elwell 绘
图书标签:
  • Motherhood
  • Family
  • Love
  • Early Learning
  • Board Book
  • Picture Book
  • Toddler
  • Emotional Development
  • Relationships
  • Self-Discovery
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出版社: Simon & Schuster US
ISBN:9780689866951
版次:2
商品编码:19221139
包装:平装
出版时间:2004-04-01
页数:40
正文语种:英文
商品尺寸:19.05x22.86x0.25cm;0.11kg

具体描述

内容简介

Celebrate the warm and loving bond between mothers and children — of all kinds. As a child makes a Mother's Day card, various animal mothers are shown taking care of their young.

作者简介

Marion Dane Bauer is the author of many books for young readers, including the Newbery Honor book On My Honor and the New York Times bestseller My Mother Is Mine. Her other titles include A Mama for Owen, If You Were Born a Kitten, Grandmother's Song, and Thank You for Me! She has recently retired from the faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults where she was the first Faculty Chair. She lives in Eden Prairie, Minnesota, and can be reached at mariondanebauer.com.

内页插图

精彩书评

Publishers Weekly Bauer (If You Were Born a Kitten) and Elwell (Three Brave Women) explore the depths, delights and ferocity of the mother-child bond and for the most part, their foray into unabashed emotion works well. Bauer's rhymed text brings to mind the poignant vulnerability of a mash note from a young child: "My mother is pretty./ My mother is brave./ My mother still loves me when I misbehave." But because the sentences are parceled out one per page, the effect is never cloying. Elwell's stunning, diaphanous pastel illustrations flirt with the conventions of calendar art: his characterizations are mostly grounded in a realistic appreciation of the natural world, but the gauzy surfaces and the intensity of the animals' expressions are the stuff of pure romanticism. A tiger mother beams with pride as she carries her pliant cub by the scruff of the neck; a vigilant mother horned owl is regarded with utter adoration by her little puffball baby. Unfortunately, the final sequence, showing a girl creating a greeting card for her mother, lacks the intensity of the animal illustrations; the child's expressions seem a bit clich d. An actual card bearing the same illustration as that on the girl's is included inside the back cover. Ages 1-5. (Apr.) Copyright 2001 Cahners Business Information. Publishers Weekly "Author and artist explore the depths, delights and ferocity of the mother-child bond, and their foray into unabashed emotion works well," wrote PW. Ages 1-5. (Apr.) Copyright 2004 Reed Business Information. Fewer Reviews Children's Literature In a brief sentence for each two-page spread, children of various species tell something special about their mothers. There are rhymes along with the love expressed in these simple statements—"She holds me tight." "She never forgets to kiss me good night." This book is meant for reassuring reading and re-reading in a comfortable relationship. Elwell's naturalistic illustrations are simple scenes of each pair, including a young girl at the end, created with a fuzzy warmth that reinforces the text's message. The creatures are not named, but their identification could be part of the shared reading with pre-schoolers. A greeting card with one of the rhymes is included. 2001, Simon & Schuster Books for Young Readers, $13.00. Ages 2 to 5. Reviewer: Ken Marantz and Sylvia Marantz School Library Journal PreS-Gr 1-This book captures the warmth of a mother-child relationship in verse and illustrations. Each spread features a full-page picture of a baby animal interacting with its mother, along with a page of text explaining what makes that parent special. "My mother is soft" appears opposite two sheep cuddled together; "My mother is strong" shows a tiger carrying her cub in her mouth; and two owls sitting together on a branch illustrate "My mother watches me long and long." Young children will recognize the parallels between their own families and those of the animals, as a baby bird is given a worm ("My mother feeds me"), and a kangaroo rides safely inside its mother's pouch ("She holds me tight"). The soft focus of Elwell's pastel illustrations is well suited to the gentle rhythms of the text. The end of the book reveals a young girl drawing pictures of the animals, making a card for her mother with the inscription: "My mother is special./My mother is fine./My mother,/my mother,/my mother is mine!" A welcome addition to Mother's Day collections and family storytimes.-Linda Ludke, London Public Library, Ontario, Canada Copyright 2001 Cahners Business Information. Kirkus Reviews In a sweetly sentimental ode to motherhood, with a gently rhyming text, Bauer (Grandmother's Song, 2000, etc.) extols the virtues of Mom, as seen through the eyes of a bevy of animal babies. The infants' encomiums reflect the distinct attributes of their particular species; a tiger cub's mother is strong while a ewe is soft, and a giraffe's mom is "tall and tall and tall." Bauer's simple text is a celebration of the multitude of tiny acts that define motherhood: loving hugs, watchful care, goodnight kisses. Elwell's softly hued, pastel illustrations radiate warmth; slightly blurred images artfully reflect the loving bonds between mother and child, regardless of the species. Each two-page spread contains an accolade printed in oversized text on a delicately colored background rendered in a palette of twilight colors: translucent lavender, soft sage, luminescent blue. On the facing page is a full-color, full-bleed illustration depicting a different mother and child. Elwell's studies encompass an array of animal life, both domestic and wild, featuring docile sheep, howling wolves, and leaping kangaroos, culminating in a tender portrayal of a human mother/daughter pair. This reverent tribute to a mother's devotion also serves to remind mothers of the extraordinary way their children perceive them. An inviting tale: just perfect for cozy moments and quiet read-alouds. (Greeting card included) (Picture book. 1-5)

前言/序言


用户评价

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书很大,很厚要慢慢看了。

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适合3岁左右的小朋友

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可惜小朋友不太喜欢。三岔的叙述围绕一个姓魏的中年农民展开。这个脑袋灵光、不安于现状的男人,以极具个性的方式,把握住了商机,入了党,买了二手车,为智力障碍的哥哥争取到了补助,尽管最终在竞争村支部书记的博弈中败下阵来。海斯勒通过这个人物及其家庭,将北方农村的经济转型、社会矛盾、政治实态、信仰状况、风俗习惯、情感结构都写得玲珑剔透,从某种角度来看,他完成的是一个人类学式的田野考察。唯有在魏家的小男孩身上,海斯勒的情感灌注远远逾越了人类学家应有的超然。小男孩患上血小板减少症,海斯勒最大限度地调动了自己的社会资源,请在美国的三位医学专业人士做了跨洋诊断,让郭眯眯为孩子安排到高一级医院住院,通过在北京一家医药公司工作的美国人商购血液球蛋白。在与医生讨论治疗方案时,海斯勒对血液的安全性提出质疑,引起医生的反感。海斯勒建议对血液进行病毒测试,医生回答:“相信我好了,检查不出来!”海斯勒写道:“在我看来,一个医生竟然说出这种屁话,简直令我作呕。”他气得发抖。在整本书中,这是海斯勒唯一情感失控的时刻。我们可以借此推知他与小男孩之间感情的深度。然而,不止于此,恰恰在这失控的一刻,让我们有机会看到一个美国人对事情理应怎么做的真实看法,同时也看到,海斯勒这个外来者的特殊身份在何种程度上影响了他笔下那些人物的命运。这个孩子很幸运,因为不但有人关心他的健康,而且这个关心他的人还有能力调动一般人不可能拥有的社会资源。可问题在于,

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不错

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很薄的一本书,价格太贵了。

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有人说,夜莺为了学生而献出心血,令玫瑰染上血红,绽开绝美的花瓣,可是学生却在被女孩拒绝之后心灰意冷地丢弃玫瑰,这让他们感觉不值,感觉夜莺太可悲。可是,在我看来,夜莺并不是可悲的。如果站在夜莺的角度来看待整个故事,能为所爱之人付出自己能够付出的最大代价,这本身就是一种幸福。再加之夜莺本就不求任何回报,又有什么遗憾的呢?只要自己心甘情愿,哪怕对方并不知晓,也并不是件可悲的事情吧。这样伟大的觉悟,就个人而言,完全可以与安徒生笔下的海的女儿媲美。    又有人认为,故事中的女孩过于势利,可是换个角度来看待,女孩也没有过错。这个世界本就物欲横流,面包比水仙花更容易吸引人去追逐。宝石的闪亮掩盖了玫瑰的凄艳,女孩的举动虽让人能够理解,却更觉得无奈。    穷学生最终从中悟出了道理:“在现实的世界里,首要的是实用。”这种领悟我们不能说不对,但却为之感到悲哀,少年还未体会爱情的美妙滋味,就已经被情所伤,只能回到他的“哲学和玄学书”的世界中去,将自己的性灵囚禁在高高的象牙塔中,不再接触世事。这固然不会再受到伤害,但也不能再亲身去品味人世沧桑,去了解复杂多样的人性……由此而言,学生才是故事中最悲哀的角色。    在整个童话集中,我最喜欢的童话实际上是《巨人的花园》。    世人称这篇童话是王尔德所著九篇童话中最美的一篇。王尔德是英国唯美主义艺术运动的开创者,《巨人的花园》就充斥着明显的唯美情调和宗教氛围。 无论是小孩们攀上树枝使得花开满树、莺啼燕舞,抑或是巨人死在大树之下,身上覆满了白花,这些唯美的情景都有中世纪油画般的典雅精致,和天主教对死亡意义的神圣追溯。 王尔德在这个故事里,似乎仅仅传达着一种“善有善报”的因果论,但是实际上,更多的反而是在体现某种宗教情结。故事中,巨人最喜欢的小孩——手掌和脚掌上分别都有一清晰的钉子印——他是耶稣的化身,是神的孩子,令巨人颤抖下跪,发自内心地敬畏喜爱,并在他的指引下,灵魂前往这个小孩的花园——天堂。 1900年,王尔德在自己友人的帮助下,改信天主教。也许,这篇童话早早地便预示了这样的结果吧。 《快乐王子》也是让人读后忍不住落泪的美妙之作。这个故事中的王子雕像与小燕子身上都存在着一种崇高伟大、无私忘我的精神特质。王子将自己身上的宝石和金子委托给燕子,让他送给那些需要这些东西的人们——也许是穷困潦倒的戏作家,也许是卖不出火柴的小女孩,也许是那些忍饥挨饿的乞丐,很好很喜欢

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就算怀着再复杂的爱去回望,没准儿也能气个半死,看着她在那条傻乎乎的路上跌跌撞撞前行,忍不住开口相劝,搞不好还会被她厌弃。你看天下的事情往往都是一厢情愿。当然我也忍住了各种吐槽,人总是要给自己留余地的,因为还有一种可能是,未来的自己回望现在,看见的还是一个人。好在现在不敢轻易放狠话了,所以总算显得比年轻的时候还有一分从容。非常喜欢在京东购物。东京梦华录》的作者是北宋的孟元老。孟元老,原名孟钺,号幽兰居士,开封市人。是孟昌龄的第四子, 曾任开封府仪曹,北宋末叶在东京居住二十余年。金灭北宋,孟元老南渡,常忆东京之繁华,于南宋绍兴十七年(1147)撰成《东京梦华录》。作为眼睁睁看着北宋覆灭的人,在落叶归根之年,时常忆起旧时繁华,实在不足为奇。买这本书,出于一个“缘”字。最近在家里时常翻阅中州古籍出版社出版的《白居易选集》,觉得无论是装帧,还是点评,都让人喜欢,朴素淡雅的装帧,排版得宜,恰到好处的讲解,既不会破坏读者的想象力,又很好地做了注释。翻到后面系列书籍里,一眼就看到了这个名字,东京梦华录。 我大约是对梦,对华字,相当地没有抵抗能力。倾尽一世繁华,留下的,有什么呢? 《东京梦华录》大致包括这几方面的内容:京城的外城、内城及河道桥梁、皇宫内外官署衙门的分布及位置、城内的街巷坊市、店铺酒楼,朝廷朝会、郊祭大典,当时东京的民风习俗、时令节日,饮食起居、歌舞百戏等等,几乎无所不包。全书三万字,为笔记体散记文,描述的是北宋古城——东京(开封)的繁华市景。开封在唐末称汴州,是五代梁、晋、汉、周的都城。北宋统一,仍建都于此,也称为汴京或东京。我最感兴趣的,是其中的风土人情。据《东京梦华录》载,为满足市民夜生活的延长,商家为了追求利益,原先长期实行的“夜禁”宣布取消,开封城里出现了“夜市”、“早市”和“鬼市”。各种店铺的夜市直至三更方尽,五更又重新开张;如果热闹去处,更是通晓不绝;而有的茶房每天五更点灯开张,博易买卖衣服、图画、花环、领抹之类,至晓即散,谓之鬼市子。说起鬼,本该是让人害怕的,这里却是热闹至极的。看到这样的描述,不禁想起去年去泰国游玩的情景。清迈的市集很热闹,各色各样的旅客,各色各样的手艺人,各色各样的货物,两边摆满了,甚至本已不宽敞的小路的中间,也见缝插针地摆着摊。这在过去,便是说不尽道不完的繁华吧。有人如斯,在夜景下俯瞰热闹,独留苍凉,时光匆匆,原来是过去的回忆。悲欢离合,台上台下,热闹落寞,所有的悲伤,都不比不过眼看故国灭亡,而自己无能为力的伤。人生得意须尽欢,莫使金樽空对月。而真正的欢是什么呢?真正要珍爱的,又是什么呢?比起表面的繁华,我却看到了苍凉。 而因为姐妹篇《清明上河图》,我特地购下了一本导读。《繁华之城:东京梦华录》,引进版的作品,打开了,两边各开4折,一副清明上河图鱼跃而出。可惜不是全景,把一副画分割为上下部分,若是全景,那是再完美不过。 这本书有点小遗憾,书很旧,让我有些无言。各种翘角,飞边。希望京东日后在包装地时候能更加用心,而不是形式主义。阅读英语绘本可以加深对单词的记忆   家长为孩子选择他们喜欢,并难度适中的绘本故事给孩子阅读。绘本故事中会出现幼儿认识或是不认识的单词,而这个单词的重复不断出现,会加深幼儿对单词的记忆,这种记忆不同于的死记硬背,是幼儿在愉悦的阅读过程中理解记忆的,所以更加有效果!而经典的绘本故事,孩子喜欢的,他们会不停的反复阅读,据汪培珽的育儿过程中可得知,一本好的绘本孩子可能会看十多遍。

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非常好! 喜欢! ..............

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