具體描述
In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters two decades after their first meeting.
No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name. First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love.
In Find Me, Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever.
Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic.
Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.
用戶評價
##“離開，不應再打攪愛人，對不對？"
評分##我閱讀史裏最友好的父子關係。
評分##四個故事，從父親到Elio，再到Oliver，承襲瞭前作的細膩入微的刻畫。巧閤的是，作者都選取瞭男性視角，反映麵對愛情的時候，不同年齡、身份、性取嚮的男性的所思所想。我一直覺得這個故事與性嚮無關，隻關乎愛情，作者揭示瞭人們麵對愛情的反應。隻不過，有時對麵是女人，有時是男人；有時是同齡人，有時大一倍，有時小一圈。如何去找尋愛，遵從自己的內心，勇敢與對方攜手同行，纔是更有意義的吧。
評分##Elio爸爸和是他年齡一半的姑娘 Elio和是他年齡兩倍的大叔 這倆章真的有點corny 一見鍾情很快確定彼此是soulmates這種事情咋可能總是發生呢 不過通過細枝末節填補瞭這20年裏Elio和Oliver是怎麼過來的然後給瞭個HE感覺有瞭closure 隻是再也沒有第一本裏那種純粹炙熱的感覺 我還記得Elio送書給Oliver在書裏寫between always and never for u in silence說想讓他多年後看到會痛會遺憾後悔哪怕是pity him也可以 幾行字就讓我看哭
評分大失所望。在前作最後一章已經把故事嚮後推瞭數十年後，本書充斥著電影太成功，強行齣續的氣質。尤其是占據瞭全書一半篇幅的第一章，像是直接把其他作品拿來改瞭改。而占據巨大篇幅的尋找leon段落 更是時不時給人一種湊字數的反感。前三分之二幾乎變成瞭中年男人的意淫，而完全靠對話堆砌起來的內容也失掉瞭前作最撩人心弦的氣質。同樣是彈奏巴赫的段落，文筆和情感上與前作天差地彆。而同樣是告白，前作中兩人坐在岩石上對話的張力在本作中蕩然無存。最後一章由尷尬引起的本應深入討論的問題卻被一筆帶過，類似的劇情在第一章你可是花瞭五頁在討論！這不是那本我期待的兩年前改變瞭我人生的作品的續作。
評分##Chapter I is completely a failure; it fulfills no one's desire but Andre Aciman's. For fuck's sake. Such a shitty man! From the beginning to the end I see no Elio nor Oliver, not even Sami; rather, what I see is Aciman everywhere. What he has written had nothing to do with CMBYN.
評分##not the kind of love stories I would ever read if it wasn’t a CMBYN sequel. Love the Aciman’s style of dialogues and psychological languages though — emotional, delicate and philosophical. It captures an intangible sense of dire heratche echo throughout this novel, just like CMBYN did.
評分##四個故事，從父親到Elio，再到Oliver，承襲瞭前作的細膩入微的刻畫。巧閤的是，作者都選取瞭男性視角，反映麵對愛情的時候，不同年齡、身份、性取嚮的男性的所思所想。我一直覺得這個故事與性嚮無關，隻關乎愛情，作者揭示瞭人們麵對愛情的反應。隻不過，有時對麵是女人，有時是男人；有時是同齡人，有時大一倍，有時小一圈。如何去找尋愛，遵從自己的內心，勇敢與對方攜手同行，纔是更有意義的吧。
評分##四個故事，從父親到Elio，再到Oliver，承襲瞭前作的細膩入微的刻畫。巧閤的是，作者都選取瞭男性視角，反映麵對愛情的時候，不同年齡、身份、性取嚮的男性的所思所想。我一直覺得這個故事與性嚮無關，隻關乎愛情，作者揭示瞭人們麵對愛情的反應。隻不過，有時對麵是女人，有時是男人；有時是同齡人，有時大一倍，有時小一圈。如何去找尋愛，遵從自己的內心，勇敢與對方攜手同行，纔是更有意義的吧。
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