Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself?
She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, which professes to be a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, the city seems to offer no answer and no escape.
##每个人都是多么复杂的动物啊。好喜欢这么细腻的描写
评分##放逐,童年阴影,焦虑与不安,总要交织的爱与恨,容貌愈发接近父母的恐惧…还是那个Elena Ferrante,这本的格局小得多,也没什么时间跨度,虽然和四部曲比较不太合适,但确实相差很远。能再读到Elena Ferrante就是好的。
评分##感觉像是coming of age类型的书
评分##每个人都是多么复杂的动物啊。好喜欢这么细腻的描写
评分##前半部分非常精彩,到了中间高潮之后突然就泄气了,后半部分有点绵软无力
评分##“I was ashamed because my parents were ashamed .” I understood that they were ashamed of my failure, maybe it was the only feeling they still had in common.孩子感受到的才是真实的,被隐藏起来的感受。Lies, lies, adults forbid them and yet they tell so many.
评分##那不勒斯的另一个故事,比四部曲更坦诚更赤裸。前2/5转折和衔接不够流畅,有一种我能理解主人公为什么这样做但somehow就是缺少动机的感觉。从第三部分开始精彩起来,主人公把自己和家庭和外表剥离,剥到血肉模糊,触目惊心。giovanna好勇敢,勇敢到最后可以果决地和解,生活如此,let’s fuck it
评分##放逐,童年阴影,焦虑与不安,总要交织的爱与恨,容貌愈发接近父母的恐惧…还是那个Elena Ferrante,这本的格局小得多,也没什么时间跨度,虽然和四部曲比较不太合适,但确实相差很远。能再读到Elena Ferrante就是好的。
评分##Coming of age是明明已经从黑白分明的童话跌进充满灰色地带的现实,心灵和思想却要命地滞后了。
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