具體描述
Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (Milan 1571 - Porto Ercole 1610), was a legend even in his own lifetime. Celebrated by some for his naturalism and his revolutionary pictorial inventions, he was considered by others to have destroyed painting. Few other artists have attracted such controversial and contradictory interpretations right up to modern times and to the latest art historical research. The book offers a comprehensive new examination of the whole of Caravaggio's oeuvre with a catalogue raisonee of his works. Five introductory chapters analyse his artistic career from his training in Lombard Milan and his triumphal rise in papal Rome up to his dramatic final years in Naples, Malta and Sicily. The spotlight thereby falls upon the radical nature and innovative force of his art and its influence in all of Europe. Our understanding of Caravaggio's work has been substantially broadened in recent decades by major exhibitions, restoration campaigns, new attributions and archival discoveries. The new catalogue raisonee offers a detailed overview of Caravaggio's entire oeuvre on the basis of the latest research. All the paintings are documented in large-scale reproductions and spectacular detail illustrations that set new standards in their scope and quality.
用戶評價
##Fascinating!!!!!
評分##原本對宗教題材的畫作不是很有興趣，結果被卡拉瓦喬意外圈粉。戲劇化的場麵調度，刪繁就簡的內容，舞颱效果一般的明暗對照法（chiaroscuro），用當前的審美眼光來看也毫不過時。對聖經故事場景的自然主義的呈現，也使得人物的呈現更有“人味”，而這也是當時的宗教人士對其不滿的原因，這個牽涉宗教意識形態的“編碼/解碼”之爭，讓人聯想到革命英雄塑造上的“高大全”形象和“普通人”形象之爭。最後，身為一個倫勃朗粉，不得不說，卡拉瓦喬和倫勃朗的相同和不同之處，也是值得細細品味的。
評分已入 圖細色正排版佳 果然還是taschen這本好 印刷之美可關注以下幾點：cardsharps牌桌桌布下方的暗紋紋理 大衛和goliath腦袋那幾幅goliath的頭發光澤 兩張莎樂美的衣物（尤其紅衣）皺褶 以馬忤斯晚餐的層次 暖光細看時做得到“不偏色不誇張不隱瞞” 是為印刷上品 但也必須留意skira那本卡拉瓦喬 也收錄瞭些本冊中未收入的作品 另在taschen同門的basic係列中 除sebastian編的兩本外 仍有其它未收入的畫作 所以這本其實也算不得complete works 總結：推薦收藏
評分##Taschen齣的畫冊總是那麼炫酷。。
評分##看完之後馬上實現真跡一鍋端
評分##Fascinating!!!!!
評分##原本對宗教題材的畫作不是很有興趣，結果被卡拉瓦喬意外圈粉。戲劇化的場麵調度，刪繁就簡的內容，舞颱效果一般的明暗對照法（chiaroscuro），用當前的審美眼光來看也毫不過時。對聖經故事場景的自然主義的呈現，也使得人物的呈現更有“人味”，而這也是當時的宗教人士對其不滿的原因，這個牽涉宗教意識形態的“編碼/解碼”之爭，讓人聯想到革命英雄塑造上的“高大全”形象和“普通人”形象之爭。最後，身為一個倫勃朗粉，不得不說，卡拉瓦喬和倫勃朗的相同和不同之處，也是值得細細品味的。
評分##Oh my splendid drama king, of his life, of his work.
評分##Fascinating!!!!!
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