![最经典英语文库：月亮与六便士 [A Bedside Classic: The Moon and Sixpence by W.Somerset Maugham]](https://pic.tinynews.org/12001444/57ac30a1N38a305ea.jpg)
具体描述
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“经典英语文库”自2013年8月上市至今，整套图书已出版六辑共90部作品。图书选本方面，皆来自世界经典名著，涉及政治、艺术、人文、诗歌、小说等各个领域，原文呈现名著原貌，满足不同读者的阅读需求，《了不起的盖茨比》《哈姆雷特》等经典读本更是为广大读者所追捧。图书设计上，完全遵循国外名著图书的经典流行开本规范，掌中书的大小便携、易读；封面设计、正文版式、印刷材质等方面更是精益求精，力求将经典、纯粹的外国文学带给广大的中国读者，更新大家的英文图书阅读习惯。
内容简介
为什么叫“月亮与六便士”？其实，用毛姆自己的话说，这个书名的意义并没有在由英国W.毛姆所著的《月亮与六便士（英文版）》一书里得到应有的展示，而是出自某评论家在评论上述《人性的枷锁》（参见“经典英语文库”第一辑书目）时所写的某句话。原话如下：《人性的枷锁》里的主人公菲利普·凯利（PhilipCarey）被形容为一个太过执着找寻月亮的家伙，以至于他从来就没发现过脚底下就有一块六便士。毛姆后来这样解释道：“假如你低头在地上不住地要找寻一块六便士硬币，头也不抬起来一下，那么，你就会丢掉月亮。”作者简介
William Somerset Maugham
William Somerset Maugham (25 January 1874-16 December 1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
After losing both his parents by the age of 10, Maugham was raised by a paternal uncle who was emotionally cold. Not wanting to become a lawyer like other men in his family, Maugham eventually trained and qualified as a doctor. The first run of his first novel, Liza of Lambeth (1897), sold out so rapidly that Maugham gave up medicine to write full-time.
During the First World War, he served with the Red Cross and in the ambulance corps, before being recruited in 1916 into the British Secret Intelligence Service, for which he worked in Switzerland and Russia before the Bolshevik Revolution of 1917. During and after the war, he traveled in India and Southeast Asia; all of these experiences were reflected in later short stories and novels.
目录
CHAPTER 1 / 1
CHAPTER 2 / 7
CHAPTER 3 / 11
CHAPTER 4 / 14
CHAPTER 5 / 18
CHAPTER 6 / 21
CHAPTER 7 / 24
CHAPTER 8 / 26
CHAPTER 9 / 33
CHAPTER 10 / 36
CHAPTER 11 / 42
CHAPTER 12 / 47
CHAPTER 13 / 55
CHAPTER 14 / 58
CHAPTER 15 / 62
CHAPTER 16 / 69
CHAPTER 17 / 71
CHAPTER 18 / 73
CHAPTER 19 / 76
2 THE MOON AND SIXPENCE
CHAPTER 20 / 83
CHAPTER 21 / 87
CHAPTER 22 / 94
CHAPTER 23 / 97
CHAPTER 24 / 101
CHAPTER 25 / 106
CHAPTER 26 / 111
CHAPTER 27 / 116
CHAPTER 28 / 118
CHAPTER 29 / 125
CHAPTER 30 / 129
CHAPTER 31 / 133
CHAPTER 32 / 137
CHAPTER 33 / 140
CHAPTER 34 / 143
CHAPTER 35 / 147
CHAPTER 36 / 150
CHAPTER 37 / 152
……
精彩书摘
《最经典英语文库：月亮与六便士》：I confess that when first I made acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary. Yet now few will be found to deny his greatness. I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a change of circumstances reduces it to very discreet proportions.The Prime Minister out of office is seen, too often,to have been but a pompous thetorician, and the General without an army is but the tame hero ofa market town.The greatness of Charles Strickland was authentic. It may be that you do not like his art, but at all events you can hardly refuse it the tribute of your interest.He disturbs and arrests. The time has passed when he was an object of ridicule, and it is no longer a mark of eccentricity to defend or of perversity to extol him. His faults are accepted as the necessary complement to his merits. It is still possible to discuss his place in art, and the adulation of his admirers is perhaps no less capricious than the disparagement of his detractors;but one thing can never be doubtful, and that is that he had genius. To my mind the most interesting thing in art is the personality of the artist; and if that is singular, I am willing to excuse a thousand faults. I suppose Velasquez was a better painter than El Greco,but custom stales one's admiration for him: the Cretan,sensual and tragic, proffers the mystery of his soul like a standing sacrifice. The artist, painter, poet, or musician, by his decoration, sublime or beautiful,satisfies the aesthetic sense; but that is akin to the sexual instinct, and shares its barbarity: he lays before you also the greater gift of himself. To pursue his secret has something of the fascination of a detective story. It is a riddle which shares with the universe the merit of having no answer. The most insignificant of Strickland's works suggests a personality which is strange, tormented, and complex; and it is this surely which prevents even those who do not like his pictures from being indifferent to them; it is this which has excited so cunous an interest in his life and character.
It was not till four years after Strickland's death that Maurice Huret wrote that article in the Mercure de France which rescued the unknown painter from oblivion and blazed the trail which succeeding writers, with more or less docility, have followed. For a long time no critic has enjoyed in France a more incontestable authority, and it was impossible not to be impressed by the claims he made; they seemed extravagant; but later judgments have confirmed his estimate, and the reputation of Charles Strickland is now firmly established on the lines which he laid down. The rise of this reputation is one of the most romantic incidents in the history of art. But I do not propose to deal with Charles Strickland's work except in so far as it touches upon his character. I cannot agree with the painters who claim superciliously that the layman can understand nothing of painting,and that he can best show his appreciation of their works by silence and a cheque-book. It is a grotesque misapprehension which sees in art no more than a craft comprehensible perfectly only to the craftsman:art is a manifestation of emotion, and emotion speaks a language that all may understand.
……
前言/序言
“经典英语文库”自第一辑2013年8月上市至今，整套图书已出版六辑共90部作品。图书选本方面，皆来自世界经典名著，涉及政治、艺术、人文、诗歌、小说等各个领域，原文呈现名著原貌，满足不同读者的阅读需求，《了不起的盖茨比》《哈姆雷特》等经典读本更是为广大读者所追捧。图书设计上，完全遵循国外名著图书的经典流行开本规范，掌中书的大小便携、易读；封面设计、正文版式、印刷材质等方面更是精益求精，力求将经典、纯粹的外国文学带给广大的中国读者，更新大家的英文图书阅读习惯。
“经典英语文库”系列图书其规模之大，品质之精在目前国内图书市场上可以称得上是独一，无愧经典的传承，完美体现“倡导原味阅读，共享世界经典”的出版理念，今后，我们还将陆续推出更多英文名著经典，以飨读者。
用户评价
这本书给我最大的触动，在于它对“个体自由”与“社会责任”之间那永恒矛盾的探讨。作者似乎毫不犹豫地站在了那个追求极端个人价值实现的一方，展现了为了追逐内心深处那份原始的、近乎野蛮的创作冲动，一个人可以付出多么巨大的代价，以及对周围世界造成何种程度的冲击。我看着主人公一次次地舍弃世俗的一切——名誉、财富、安稳的家庭——去追逐一种虚无缥缈的艺术至高点，内心充满了复杂的情绪。这让我不禁反思，我们现代人被各种条条框框束缚得太久，是否已经失去了倾听内心最真实声音的勇气？这种对传统价值体系的彻底颠覆，不是简单的叛逆，而是一种近乎宗教般虔诚的献祭，它以一种近乎残忍的真实，撕开了“成功”定义下的虚伪面纱。读罢全书，我甚至对自己的生活选择产生了动摇，它强迫我去直面那些我一直试图回避的、关于“何为真正有意义的人生”的终极拷问。
评分这本书带给读者的阅读体验，是持续而具有渗透性的，它不像一部情节驱动的小说那样看完就束之高阁。相反，它像一粒种子，在你脑海里生根发芽，让你在日常生活的琐碎中，时不时地被某个场景或某句台词击中。比如在处理人际关系的复杂性时，那种对人性弱点的洞察力，至今仍让我心有余悸。每当我遇到生活中那种表里不一或利益权衡的场景时，总会不由自主地联想到书中的某些人物和他们的抉择。这种后劲十足的阅读效果，正是衡量一部伟大作品的标准之一。它不是提供一个简单的故事，而是提供了一套看待世界的、略带悲观但异常清醒的透镜。我甚至会推荐给那些正处于人生十字路口的年轻人，它不会直接告诉你答案，但它提供的思考框架，远比任何心灵鸡汤都要来得坚实和深刻。这本书值得被反复阅读，每一次重温，都会带来新的领悟，因为我们自己的人生也在不断变化，对“经典”的理解也随之迭代更新。
评分初次翻阅时，我就被作者那种近乎冷峻的叙事笔触所震撼。他的文字像一把冰冷的刻刀，精准而毫不留情地剖析着人性深处那些难以启齿的动机与挣扎。叙事的节奏感掌握得炉火纯青，看似平铺直叙，实则暗流涌动，每一个场景的切换，每一次对话的留白，都充满了暗示和张力。我特别留意了作者是如何处理人物心理活动的描摹，那不是直白的内心独白，而是一种通过行为和环境侧面烘托出来的复杂心境。读起来，你得自己去拼凑那些破碎的片段，去感受人物在道德、理想与现实之间拉扯时的那种撕裂感。这种高超的叙事技巧，让读者不得不全神贯注，生怕漏掉任何一个细微的暗示。它不像某些畅销小说那样直接将情感喂到你嘴边，而是要求你参与到解读的过程中来，这无疑提升了阅读的智力挑战性，让人读完后忍不住回味再三，思考作者究竟想通过这种方式表达什么更深层次的哲学思考。
评分从文学史的角度来看，这本书的语言运用达到了一个令人叹服的高度。它没有冗余的辞藻堆砌，每一个词语的选择都仿佛经过了千锤百炼，精准到位，却又充满力量。尤其是一些场景的白描，寥寥数笔就能勾勒出异国风情或人物内心的荒凉。我注意到作者在处理异域环境的描写时，那种客观冷静的观察视角，既保留了异域的陌生感，又将其与人物的精神状态紧密地联系起来，形成了一种奇妙的共鸣。这种克制的美感，正是成熟作家的标志。我甚至开始尝试模仿那种简洁有力的句式去记录自己的日常感悟，结果发现，要达到那种毫不费力的精准，背后需要极其深厚的文字功底作为支撑。这种对语言艺术的极致追求，使得这本书即便在百年之后阅读，也丝毫没有过时之感，它更像是一块经过时间打磨的钻石，光芒依旧锐利耀眼。
评分这本书的封面设计本身就带着一种沉静而引人遐思的气质，那种老式印刷品的质感，让人仿佛能闻到纸张泛黄的墨香。我拿到手的时候，就被它那种内敛的优雅吸引住了。装帧的细节处理得非常到位，看得出出版方在打造这套“经典文库”时所下的功夫。内页的字体排版也十分讲究，字号大小适中，行距舒适，即便是长时间阅读也不会感到眼睛疲劳。要知道，阅读体验很大程度上取决于这种物理层面的接触感，好的装帧能极大地提升阅读的仪式感和沉浸感。我尤其欣赏它在保持经典韵味的同时，又融入了现代阅读的舒适度，没有那种老旧书籍的晦涩感，拿在手上，就是一种享受。我常常在周末的午后，泡上一杯红茶，翻开它，光是摩挲着书页的边缘，就已经进入了一种与世隔绝的宁静状态。它不仅仅是一本书，更像是一个精心打磨的物件，放在书架上也是一道风景，彰显着主人对文学的敬重。
评分书挺好的，还没细看，备货中
评分纸张质量太差，印刷密密麻麻的。很不满意。
评分还行，搞活动买的 书还没看 感觉不错
评分是正版的，#用，看完自己评论
评分很好很满意！！！！！！！！！！！！
评分有点出乎意料的小，以及质量
评分月亮与六便士 THE MOON AND SIXPENCE 最经典英语文库月亮与六便士 THE MOON AND SIXPENCE 最经典英语文库
评分速度快，包装好，怒赞～
评分还没拆封，很小一本
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