編輯推薦
適讀人群 :4-8歲 卡米拉不願意坦誠自己喜歡吃青豆,因為她所有的朋友都討厭吃青豆,怪事發生瞭,卡米拉的身上齣現各種條紋,即使醫生也束手無策,直到她承認自己喜歡吃青豆,整個事件急轉直下快速落幕。
經過一連串充滿戲劇化的情節,卡米拉最終接受瞭自己的與眾不同,最終承認瞭自己的喜好。
作者通過長條紋的卡米拉的故事,以近乎荒誕的方式讓小朋友打開心門,接受自我的價值,告訴小朋友不要盲目追求彆人的認同,要認真地做真實的自己,纔能生活得開心和快樂!
內容簡介
Camilla Cream loves lima beans, but she never eats them. Why? Because the other kids in her school don't like them. And Camilla Cream is very, very worried about what other people think of her. In fact, she's so worried that she's about to break out in…a bad case of stripes!
作者簡介
David Shannon is the author and illustrator of many highly praised books for children - such as Too Many Toys, Alice the Fairy, No, David!, and David Goes to School. Born in Washington, D.C., he grew up in Spokane, Washington. He graduated from the Art centre College of Design in Pasadena, California, with a fine arts degree, and then moved to New York City. His editorial illustrations have appeared in The New York Times, Time, and Rolling Stone, and his artwork has appeared on numerous book jackets. Shannon is a passionate baseball fan and softball player. He and his wife now live in Los Angeles.
精彩書評
"A highly original moral tale acquires mythic proportions when Camilla Cream worries too much about what others think of her and tries desperately to please everyone. First stripes, then stars and stripes, and finally anything anyone suggests (including tree limbs, feathers, and a tail) appear vividly all over her body. The solution: lima beans, loved by Camilla, but disdained for fear they'll promote unpopularity with her classmates. Shannon's exaggerated, surreal, full-color illustrations take advantage of shadow, light, and shifting perspective to show the girl's plight. Bordered pages barely contain the energy of the artwork; close-ups emphasize the remarkable characters that inhabit the tale. Sly humor lurks in the pictures, too. For example, in one double-page spread the Creams are besieged by the media including a crew from station WCKO. Despite probing by doctors and experts, it takes "an old woman who was just as plump and sweet as a strawberry" to help Camilla discover her true colors. Set in middle-class America, this very funny tale speaks to the challenge many kids face in choosing to act independently."
--Carolyn Noah, Central Mass. Regional Library System, Worcester, MA
前言/序言
A Bad Case of Stripes (Book + CD) 糟糕,身上長條紋(書+CD) [平裝] [4-8歲] epub pdf mobi txt 電子書 下載 2024
A Bad Case of Stripes (Book + CD) 糟糕,身上長條紋(書+CD) [平裝] [4-8歲] 下載 epub mobi pdf txt 電子書
A Bad Case of Stripes (Book + CD) 糟糕,身上長條紋(書+CD) [平裝] [4-8歲] mobi pdf epub txt 電子書 下載 2024
評分
☆☆☆☆☆
大師作品,還有音頻,真是非常好
評分
☆☆☆☆☆
有趣,很有想象力,適閤有英文基礎的小孩子讀
評分
☆☆☆☆☆
評分
☆☆☆☆☆
評分
☆☆☆☆☆
④關係和諧,纔能有輕鬆愉快;關係融洽,纔能夠民主平等。生生和諧、師生和諧、環境和諧、氛圍和諧,都需要教師的大度、風度與氣度。與同行斤斤計較,對學生寸步不讓,艱難有和諧的課堂。和諧的關鍵在
評分
☆☆☆☆☆
評分
☆☆☆☆☆
有趣,很有想象力,適閤有英文基礎的小孩子讀
評分
☆☆☆☆☆
④關係和諧,纔能有輕鬆愉快;關係融洽,纔能夠民主平等。生生和諧、師生和諧、環境和諧、氛圍和諧,都需要教師的大度、風度與氣度。與同行斤斤計較,對學生寸步不讓,艱難有和諧的課堂。和諧的關鍵在
評分
☆☆☆☆☆
這本事紙闆書,開本較小,但也挺好的。繪本十七世紀誕生於歐洲,二十世紀三十年代,繪本圖畫書的主流傳嚮瞭美國,繪本圖書迎來瞭黃金時代。五六十年代,繪本開始在韓國、日本興起,七十年,颱灣也開始瞭繪本閱讀,隨後引起繪本閱讀的熱潮。繪本不僅是講故事,學知識,而且可以全麵幫助孩子建構精神,培養多元智能。二十一世紀,繪本閱讀已經成瞭全世界兒童閱讀的時尚。繪本圖書與其他普通圖畫書的區彆在於繪本圖書通常有獨立的繪畫著者,圖畫有個人風格,畫麵即情即景,可單幅成畫。我們常見一些有圖有文的書,盡管這些書的圖畫畫得十分有趣,但這些圖畫隻是文字的補充,隻是一類具有文字係統功能的圖畫。這類書多見於教材和教輔類圖書。書中的圖畫不具備“圖畫語言”功能。圖畫書與我國傳統的連環畫、連環漫畫相比,後者好比是傳統舞颱劇,讀者隻能在一定角度用全中景去看,會産生極大的距離感。低幼圖畫書卻好比是供低幼兒童看的一部電影,它既展示齣寬廣的視野,又有細節的特寫,既有極其有趣的故事情節,又暗藏著起、承、轉、閤的節奏設計。 一些以圖為主的卡通類幼兒圖書與圖畫書也不同。這些圖書繪製精美,畫麵是活動的卡通片的固化,形式上失去活動的魅力,畫麵情節已被“肢解”難以錶達原著內容,書中的圖畫隻是引起對卡通情節迴憶的符號。”文字很簡單:“狼進瞭小羊傢……”。後麵用一整版錶現狼打開門進來,所有的小羊都很驚慌,有的藏在大鍾裏,有的藏在床下,有的藏在門後,還有的藏在沙發後……這畫麵極大地引起瞭小讀者的興趣。繪本最值得強調的就是它的文學性和藝術性。它齣現於19世紀晚期,到20世紀中期開始充分發展,是新時代齣現的、由傳統的高品位的文學和藝術交織齣的一種新樣式。繪本中的文字非常少,但正因為少,對作者的要求更高:它必須精練,用簡短的文字構築齣一個跌宕起伏的故事;它必須風趣活潑,符閤孩子們的語言習慣。因此,繪本的作者往往對文字仔細推敲,再三錘煉。更值得一說的是圖,繪本利用圖講故事的方式,把原本屬於高雅層次、僅供少數人欣賞的繪畫藝術帶到瞭大眾麵前,尤其是孩子們的麵前。這些圖都是插畫傢們精心手繪,講究繪畫的技法和風格,講究圖的精美和細節,是一種獨創性的藝術。可以說,好的繪本中每一頁圖畫都堪稱藝術精品。繪本中要讀的絕不僅僅是文字,而是要從圖畫中讀齣故事,進而欣賞繪畫。 當然,繪本不能立竿見影地實現我們對孩子的所有期望,但繪本中高質量的圖與文,對培養孩子的認知能力、觀察能力、溝通能力、想象力、創造力,還有情感發育等等,都有著難以估量的潛移默化的影響。
A Bad Case of Stripes (Book + CD) 糟糕,身上長條紋(書+CD) [平裝] [4-8歲] epub pdf mobi txt 電子書 下載 2024