For years, Nadezhda and Vera, two Ukrainian sisters, raised in England by their refugee parents, have had as little as possible to do with each other - and they have their reasons. But now they find they'd better learn how to get along, because since their mother's death their aging father has been sliding into his second childhood, and an alarming new woman has just entered his life. Valentina, a bosomy young synthetic blonde from the Ukraine, seems to think their father is much richer than he is, and she is keen that he leave this world with as little money to his name as possible.If Nadazhda and Vera don't stop her, no one will. But separating their addled and annoyingly lecherous dad from his new love will prove to be no easy feat - Valentina is a ruthless pro and the two sisters swiftly realize that they are mere amateurs when it comes to ruthlessness. As Hurricane Valentina turns the family house upside down, old secrets come falling out, including the most deeply buried one of them all, from the War, the one that explains much about why Nadazhda and Vera are so different. In the meantime, oblivious to it all, their father carries on with the great work of his dotage, a grand history of the tractor.
书名特立独行,很哗众,是否取宠还要等看完再说。中文无货,只好以3倍价看看英文的
评分很快呀,这个正版书还挺便宜的,帮朋友买的
评分一直信赖京东,商品又好速度又快
评分3.若有建议或意见请您联系本网站,本网站会依相关法律对相关信息进行删除、修改或作相应处理。
评分觉得名字很有趣,比较小巧,书色看起来更旧。
评分东西还是不错的,支持京东,相信品质
评分整本书在社会主义和资本主义以及希望的理想主义和现实的金钱主义之间冲突着。不仅仅是社会主义妹妹和资本主义姐姐的冲突,还有理想主义天真父亲为代表的男人们与现实主义“一种廉价的劳动力资源”瓦伦蒂娜为代表的女人们的冲突,更重要的是捍卫家庭的两姐妹与入侵掠夺的瓦伦蒂娜母子之间的冲突。这些冲突之中,突显了世界观、价值观、乃至人生观的冲突,作者精巧地将本质的生理需要和天真的心理需要编织在各种冲突中,近乎完整地展示了乌克兰人以及东欧斯拉夫人的性格特色。塑造了为了一己之欲差点一点致自己岳母惨遭“肃清”、又因一己之欲几乎毁掉自己晚年生活的父亲,更重要的是因此塑造了人生观价值观几乎完全相悖的两姊妹,从他们的身上让读者看见了那段不堪回首的历史,也由此达成了两姊妹和解后的全新的平和生活。
评分This book has been described as a world-class masterpiece and indeed fascinating like so. Once I open this book, I just can’t put it down. Thus I recommend this book for all of you, my dear friends. This book has been described as a masterpiece, and for good reason. Through this "genealogy" of history, Foucault shows us how modern society has become penal and coercive in nature; and perhaps more importantly, that all us now live in the midst of an abstract, authoritative public "gaze." Discipline and Punish is still relevant for today, even though the Panopticon has vanished. I think this book is brilliant and disturbing. It is not always easy to read, but then, what book worth reading is? Foucault is given to dramatic images, and he does little to mitigate the impact of these images on the reader. Perhaps he is really trying to increase this impact. Since he is attempting to counter the powers of normalization, he may need all of the momentum he can get. 本书旨在论述关于现代灵魂与一种新的审判权力之间相互关系的历史,论述现行的科学一法律综合体的系谱。在这种综合体中。惩罚权力获得了自身的基础、证明和规则。扩大了自己的效应,并且用这种综合体掩饰自己超常的独特性。本书所考察的惩罚权力的历史包括三个阶段:中世纪末和旧制度时期作为王权武器的酷刑;18世纪末,包括法国大革命时期人道主义的“再现”式惩罚;19世纪开始的、使用现代规训技术的监狱和普遍化的监视。书中提到的“古典时期,不是指古希腊罗马时期的古典古代,而是指近代绝对君主制和法国大革命时期,大体上与西方文学史上所说的古典主义文学时期一致。本书中这一术语的用法与福柯其他著作中的用法也是一致的。关于古典时期的惩罚权力,书中概括为“表象的、戏剧性的、能指的、公开的、集体的方式”。这里的表象一词在书中有的场合根据上下文译为“观念”或“再现”。表象或再现是福柯用以描述古典时期“权力一知识”综合体的一个重要术语。这种观点是与他在1966年发表的《词与物》(英译版《事物的秩序》)一脉相承的。在《词与物》中,福柯考察了近代西方的“知识型的替嬗。其中,他认为17—18世纪古典时期知识型的特点是,词并不直接表示物,而是一种符号,而符号只是对其他符号的“再现”。词组成了享有特权的符号系统。人们用词的秩序来再现物的秩序。
评分另一些表提供了基数词、序数词、次数词等的罗马时期的写法以及古代计量单位等。
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