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##想象的乡愁
评分##七十年代的日本文化圈，比较熟悉的有寺山修司、黑泽明和三岛由纪夫，还有宝冢和浅草。作为一个gaijin，作者遗憾自己始终不能融入日本社会，最终选择离开。但反观西方人写日本或东亚，大多也带着猎奇滤镜，エロ、グロ、ナンセンス，彼此彼此吧。就像书里有句话说的：we were both gaijin for life.and we felt safer together.
评分##想象的乡愁
评分##To a romantic, open to other ways of being, Japan is full of wonders. Not that you will ever belong here. But that will set you free. And freedom is better than belonging. You see, here you can make yourself into anything you want to be.
评分##七十年代的日本文化圈，比较熟悉的有寺山修司、黑泽明和三岛由纪夫，还有宝冢和浅草。作为一个gaijin，作者遗憾自己始终不能融入日本社会，最终选择离开。但反观西方人写日本或东亚，大多也带着猎奇滤镜，エロ、グロ、ナンセンス，彼此彼此吧。就像书里有句话说的：we were both gaijin for life.and we felt safer together.
评分##To a romantic, open to other ways of being, Japan is full of wonders. Not that you will ever belong here. But that will set you free. And freedom is better than belonging. You see, here you can make yourself into anything you want to be.
评分##a gaijin's memoir of Japan in 1970s, about the Ero guro nansensu
评分##Nothing too profound, but Buruma writes well, a globalized form of good English. Interesting anecdotes about an era that I know little of.
评分##融入。有点漂浮。
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