Fiery Cinema

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Weihong Bao
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University of Minnesota Press 2015-3-15 Paperback 9780816681341

具体描述

Weihong Bao is assistant professor of film and media and Chinese studies at the University of California, Berkeley.

What was cinema in modern China? It was, this book tells us, a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao’s term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In Fiery Cinema, Bao traces the permutations of this affective medium from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.

Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, Bao has created an archaeology of Chinese media culture. Within this context, she grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject. Carrying on a close conversation with transnational media theory and history, she teases out the tension and affinity between vernacular, political modernist, and propagandistic articulations of mass culture in China’s varied participation in modernity.

Fiery Cinema advances a radical rethinking of affect and medium as a key insight into the relationship of cinema to the public sphere and the making of the masses. By centering media politics in her inquiry of the forgotten future of cinema, Bao makes a major intervention into the theory and history of media.

用户评价

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##It traces the permutations of the affective medium to rethink cinema connected to the artificial production of affect central 4 the consolidation of media institutions and the formation of mass publics. 3 dispotifs: resonance (火烧片+tech), transparency (玻璃建筑) and agitation(说教片作为utopian media infrastructure,三城记)。Hypnotism-telepathy-tele-vsion部分神。

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##膜拜?

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##不是那种一眼看上去就让人喜欢的书。槽点很多,比如语言晦涩造成的阅读障碍、脑洞过大的理论解读,每个章节内部的结构也有些松散。但相比于其他中国早期电影研究(比如张真那本),包卫红确实抓住了一个更有概括力和延展性的视角。把电影看作affect medium,由此勾连了左翼电影和商业电影(甚至政治宣传片),突出了电影媒介和其他媒介的互动(戏剧、建筑、报纸、大众科学等等),对于重新思考20世纪中国文艺史整体都有帮助。

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##英语一般

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##写得影史三城记,借得烈火一缕魂。

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##重写电影史 选读

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