Sebastian Schutze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome and currently holds the Bader Chair in Southern Baroque Art at Queen's University, Kingston. He has published widely on Italian art and culture in the early modern era and is a member of the scientific board of the Istituto Italiano per gli Studi Filosofici in Naples and of the Institut europeen d'histoire de la Republique des Lettres in Paris.
Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (Milan 1571 - Porto Ercole 1610), was a legend even in his own lifetime. Celebrated by some for his naturalism and his revolutionary pictorial inventions, he was considered by others to have destroyed painting. Few other artists have attracted such controversial and contradictory interpretations right up to modern times and to the latest art historical research. The book offers a comprehensive new examination of the whole of Caravaggio's oeuvre with a catalogue raisonee of his works. Five introductory chapters analyse his artistic career from his training in Lombard Milan and his triumphal rise in papal Rome up to his dramatic final years in Naples, Malta and Sicily. The spotlight thereby falls upon the radical nature and innovative force of his art and its influence in all of Europe. Our understanding of Caravaggio's work has been substantially broadened in recent decades by major exhibitions, restoration campaigns, new attributions and archival discoveries. The new catalogue raisonee offers a detailed overview of Caravaggio's entire oeuvre on the basis of the latest research. All the paintings are documented in large-scale reproductions and spectacular detail illustrations that set new standards in their scope and quality.
##看完之后马上实现真迹一锅端
评分##原本对宗教题材的画作不是很有兴趣,结果被卡拉瓦乔意外圈粉。戏剧化的场面调度,删繁就简的内容,舞台效果一般的明暗对照法(chiaroscuro),用当前的审美眼光来看也毫不过时。对圣经故事场景的自然主义的呈现,也使得人物的呈现更有“人味”,而这也是当时的宗教人士对其不满的原因,这个牵涉宗教意识形态的“编码/解码”之争,让人联想到革命英雄塑造上的“高大全”形象和“普通人”形象之争。最后,身为一个伦勃朗粉,不得不说,卡拉瓦乔和伦勃朗的相同和不同之处,也是值得细细品味的。
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