How to Understand a Painting

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Francoise Barbe-Gall
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Frances Lincoln 2011-7-26 Paperback 9780711232136

具体描述

Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.

Choosing ten symbols from the natural world (the sun, the shell, the bird) and ten man-made (the window, the book, the mirror), Françoise Barbe-Gall illuminates our understanding of how these have been used and developed in art from the fifteenth to the twenty-first century, with sixty-eight wonderfully vivid examples.

Painting has always made abundant use of forms and objects to convey abstract ideas: love, hope for eternal life, loyalty or betrayal. These recurring motifs, which were familiar to many in the past, have mostly become mysterious to the audiences of today. Today's art-lover will have to learn to look out for all the small things that can so easily seem like unimportant details, or simply decoration. But a flower, a reflection in a mirror or a bird in flight nearly always mean more than they first appear to.

From Holbein's apple of knowledge to the black cat at the foot of Manet's Olympia, from Magritte's mysterious candles to Georgia O'Keeffe's flowers, this book shows how each work makes use of the language of symbols in an original and more meaningful way.

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##《有鱼缸的室内场景》,亨利•马蒂斯,作于1914年。 画家作画时,置身于一间光线幽暗的简朴房间内,长窗敞开,从窗口望出去,外面的光线明亮,景物清晰。就是这样的一幅静物风景画,编者在撰写评论时,却写下了一些奇奇怪怪、毫无道理的文字。 在描述室内景物时,编者写道...  

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##封面上的美人出自画像《模仿的寓言:拿着面具和石榴的女人》,完整的画面中,她的手在画的边缘,拿着一个半开的石榴和面具,表情冷漠而动人,而她内心在思考着什么呢?除开一个美丽的脸庞,所有能够让人们理解到画中流露出的感情,传达出一切的,唯有面具和石榴这两种...  

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