编辑推荐
"It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abstract philosophy. This is a book that cannot be read—or heard—too often."
--Publishers Weekly
内容简介
This is the story of a woman and her family experiencing the passage of time and seeking to recapture meaning from the flux of things. Though Mrs Ramsay's death is the event on which the novel turns, her presence pervades every page in a poetic evocation of loss and memory.
作者简介
Virginia Woolf (January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century.
During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."
弗吉尼亚·伍尔夫(或译弗吉尼亚·伍尔芙)。英国女作家,被誉为二十世纪现代主义与女性主义的先锋。两次世界大战期间,她是伦敦文学界的核心人物,同时也是布卢姆茨伯里派(Bloomsbury Group)的成员之一。最知名的小说包括《戴洛维夫人》(Mrs. Dalloway)、《到灯塔去》(To the Lighthouse)、《雅各的房间》(Jakob's Room)。
精彩书评
"To the Lighthouse is one of the greatest elegies in the English language, a book which transcends time."
--Margaret Drabble
"Without question one of the two or three finest novels of the twentieth century. Woolf comments on the most pressing dramas of our human predicament: war, mortality, family, love. If you're like me you'll come back to this book often, always astounded, always moved, always refreshed."
--Rick Moody
To the Lighthouse 到灯塔去 英文原版 [精装] epub pdf mobi txt 电子书 下载 2024
To the Lighthouse 到灯塔去 英文原版 [精装] 下载 epub mobi pdf txt 电子书 2024
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曾隐居巴黎15年,与列维—施特劳斯、罗兰·巴特、格诺等人交往密切。
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人人文库,必买的一套好书
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东西很好 质量也值这个价 京东包装一如既往简陋
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Love reading, love Jing Dong!
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值得收藏
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书是好书,满177-77买的,到手是50。但是捡货的能不能把手洗干净啊!每次买原版书都没有塑封!每次都能在书页上发现大黑手印!好书就被你们这么糟蹋啊!
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所有的作家都面临着同样的问题:写什么和怎么写。你可以套用小说固有的模式写一个令人昏昏欲睡的故事,也可以写一个极简单的故事但叙事的复杂性足以让人头昏脑涨了,这视乎作家们自我的选择,使内容与形式相互融汇,达到和谐完美的地步,这样的小说不是没有,但是很少。吴尔夫显然没有过多地考虑内容,对她来说,情节就是“到灯塔去”,剩下的问题就是怎么写成这样了。在这里我只想简单的谈一下她那了不起的叙事手法和精致的结构。整个故事分成三个部分,窗——时过境迁——灯塔。第一部分用了一百多页的篇幅描写了一个冗长的下午,也许有人很难想象在一个下午可以发生这么多值得描述的事情,可如果你看了这部小说,你会发现这个下午根本就没发生跟情节有关的事情,拉姆齐夫人的孩子渴望明天去灯塔,但拉姆齐先生却说明天不行,“明天一定不是个好天气”,这就是唯一关于“到灯塔去”的内容。让读者感到为难的是他们始终不知道作者想告诉我们什么。在拉姆齐先生这幢海边的别墅里,他们邀请了一些个性各异的客人,其中比较重要的一个角色是酷爱画画的莉莉•布里斯科,(第三部分几乎就是拉姆齐先生与莉莉的意识活动拼凑成的。)在那个长得令人厌烦的下午,每个人都用自已不着边际的思绪来填塞那栋破旧的房子。他们各有自已独立自由的天地,却又不可避免地与他人发生联系,互相纠缠,以至他们的内心活动代替了他们之间的交谈。
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第一部“窗”,占全书篇幅三分之一以上。时间是九月的某一个下午和黄昏;地点是拉姆齐的海滨别墅;人物包括拉姆齐夫妇,他们的八个子女、几位宾客。客厅的窗口是沟通窗内和窗外两部分的—个框架;在窗内给詹姆斯讲故事的拉姆齐夫人,时刻意识到在窗外平台上踯躅的丈夫和在草坪上作画的莉丽。在这个平凡的下午,没有发生任何不寻常的事情。莉丽把窗口的母子图作为她油画的背景,但她觉得眼花缭乱,把握不住眼前的景象。拉姆齐先生在夫人讲故事时走过来干扰,并且坚持说第二天不会晴朗,不能到灯塔去,使小詹姆斯十分『卤火。拉姆齐夫人给丈夫以安慰和鼓励,使充满自卑感的塔斯莱先生恢复自信,促成了保罗和敏泰的姻缘,并且希望莉丽和班克斯结合。最后,可爱的黄昏在她主持的晚餐宴会上融洽无间的谈笑声中结束。