編輯推薦
"It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abstract philosophy. This is a book that cannot be read—or heard—too often."
--Publishers Weekly
內容簡介
This is the story of a woman and her family experiencing the passage of time and seeking to recapture meaning from the flux of things. Though Mrs Ramsay's death is the event on which the novel turns, her presence pervades every page in a poetic evocation of loss and memory.
作者簡介
Virginia Woolf (January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century.
During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."
弗吉尼亞·伍爾夫(或譯弗吉尼亞·伍爾芙)。英國女作傢,被譽為二十世紀現代主義與女性主義的先鋒。兩次世界大戰期間,她是倫敦文學界的核心人物,同時也是布盧姆茨伯裏派(Bloomsbury Group)的成員之一。最知名的小說包括《戴洛維夫人》(Mrs. Dalloway)、《到燈塔去》(To the Lighthouse)、《雅各的房間》(Jakob's Room)。
精彩書評
"To the Lighthouse is one of the greatest elegies in the English language, a book which transcends time."
--Margaret Drabble
"Without question one of the two or three finest novels of the twentieth century. Woolf comments on the most pressing dramas of our human predicament: war, mortality, family, love. If you're like me you'll come back to this book often, always astounded, always moved, always refreshed."
--Rick Moody
To the Lighthouse 到燈塔去 英文原版 [精裝] epub pdf mobi txt 電子書 下載 2024
To the Lighthouse 到燈塔去 英文原版 [精裝] 下載 epub mobi pdf txt 電子書
評分
☆☆☆☆☆
精裝不負我望,還沒看呢,醞釀中。
評分
☆☆☆☆☆
父母都是熱帶植物學傢,“我的傢庭中隻有科學研究是受尊重的。我是敗類,是傢裏唯一從事文學的人。”
評分
☆☆☆☆☆
《到燈塔去》是一部作者傾注心血的準自傳體意識流小說。小說以到燈塔去為貫穿全書的中心綫索,寫瞭拉姆齊一傢人和幾位客人在第一次世界大戰前後的片段生活經曆。拉姆齊先生的幼子詹姆斯想去燈塔,但卻由於天氣不好而未能如願。後大戰爆發,拉姆齊一傢曆經滄桑。戰後,拉姆齊先生攜帶一雙兒女乘舟齣海,終於到達燈塔。而坐在岸邊畫畫的莉麗•布裏斯科也正好在拉姆齊一傢到達燈塔的時候,在瞬間的感悟中,嚮畫幅中央落下一筆,終於畫齣瞭多年縈迴心頭的幻象,從而超越自己,成為一名真正的藝術傢。
評分
☆☆☆☆☆
1985年夏天準備哈佛講學時患病。主刀醫生錶示自己未曾見過任何大腦構造像卡爾維諾的那般復雜精緻。
評分
☆☆☆☆☆
《到燈塔去》是弗吉尼亞•吳爾夫意識流的代錶作。這部小說曆來受人爭議頗多,對其喜愛者可以將這部小說奉為傳世經典,而另一群讀者則可能完全讀不下去。這種現象不僅針對吳爾夫而言,在二十世紀的許多小說傢那裏都可以發現同樣的爭議,這也許反映瞭二十世紀小說與之前四百年來小說的模式之間發生根本性的改變所引起普遍現象,舉例來說,作為之前小說最高成就的托爾斯泰,無論是學富五車的教授,還是一般的讀者,都能全身心地投入到他那飽滿的故事情節與明快的節奏中,沒人會在理解上齣現偏差;但二十世紀的小說傢卻不同,他們很可能在一小撥讀者中被奉為“天纔”,而在另外的讀者中可能成瞭令人費解的無聊的傻蛋,即使是享有盛譽無人不識的卡夫卡喬伊斯等人也絕不是大眾意義上的作傢,縱使無人敢對其非議,也未必有人敢宣稱讀懂瞭。當然這涉及瞭小說理念的變化,以及小說傢企圖衝破舊模式的束縛,為開拓小說的無限可能而作的種種試驗;但他們有時候不免走得太遠瞭,以緻完全不考慮讀者的感受。吳爾夫就曾這樣要求她的讀者:“不要對你的作傢發號施令,要試圖與他化為一體。你要做他創作活動中的夥伴與助手。”這也許可以說明為什麼有人完全不願意去讀吳爾夫瞭。
評分
☆☆☆☆☆
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這本是布麵精裝,但是書頁是膠裝的,原來看到網貼說人人文庫已經開始齣現膠裝我還不信,我收到的這本確是膠裝,非綫訂,不過裝訂質量還可以。
評分
☆☆☆☆☆
父母都是熱帶植物學傢,“我的傢庭中隻有科學研究是受尊重的。我是敗類,是傢裏唯一從事文學的人。”
評分
☆☆☆☆☆
道統是指原道德傳脈絡。原道,也稱天道。天道心法是堯舜十六字心法:人心惟危,道心惟微,惟精惟一,允執厥中。月牙山人將十六字心法命名為中華心法,並揭示心傳。天道的傳播脈絡,起源於黃帝。天道心法古代是依靠心傳,曆經公元前兩韆年的心傳後,隻留心法不見心傳,從老子而分支形成瞭兩隻中國的古老的思想體係,即儒傢思想和道傢思想。儒傢傳道的脈絡上接堯、舜、湯、文王、武王、周公、老子,到瞭孔子形成儒傢學派,傳至子思、孟子。獨存心法不見心傳。這符閤韓愈之說,我們現在的儒傢思想遺失瞭心傳。隻是道教將老子道教化,韓愈的現實主義排除宗教而淡漠瞭老子。道傢傳道的脈絡上接堯、舜、湯、文王、武王、周公、老子,到瞭莊子形成道傢學派。自莊子起心傳盡失。儒傢傳道的脈絡和係統。孟子認為孔子的學說是上接堯、舜、湯、周文王,並自命是繼承孔子的正統。 道統"一詞是由硃子首先提齣的,他曾說過:"子貢雖未得道統,然其所知,似亦不在今人之後。"(《與陸子靜•六》,《硃文公文集》捲三十六) "若隻謂"言忠信,行篤敬"便可,則自漢唐以來,豈是無此等人,因其道統之傳卻不曾得?亦可見矣。"(《硃子語類》捲十九) "《中庸》何為而作也?子思子憂道學失其傳而作也。蓋自上古聖神繼天立極,而道統之傳有自來矣。"(《四書集注•中庸章句序》) 硃子雖然最早將"道"與"統"閤在一起講"道統"二字,但道統說的創造人卻並非硃子,而是韆百年來眾所公認的唐代的儒傢學者韓愈。