Anyone who has read J.D. Salinger's New Yorker stories—particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme—With Love and Squalor, will not be surprised by the fact that his first novel is fully of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story.
Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.
看过了中文版,学习一下原版。
评分纸张也不错,印刷很清晰。
评分为了花钱买的
评分此书很不错,值得一读书。
评分第一遍看,真心是看不下去,看了大半还不知道为什么那么多文青伪文青随时挂在嘴边显得自己很专业的一本书居然这么…难看。然后就丢在一边,干脆不看了,昨晚决定有头有尾的把它看完,看到霍尔顿悄悄回家看自己的妹妹,觉得这个满嘴脏话浮夸寂寞的孩子其实也是充满温情的。看到霍尔顿给妹妹说自己想做麦田里的守望者的时候我才意识到这确实是一本好书,好吧,恕我才疏学浅,没有透过主人公满嘴脏话看出他不羁的灵魂,我觉得我会看第二遍的。
评分贵贵的 原版
评分书在艺术上颇具特色,心理描写细致入微,可以说开当代美国文学中心理现实主义的先河。从表面上看,霍尔顿不求上进,抽烟、喝酒、乱谈恋爱甚至找妓女,简直是个糟糕透顶的“坏孩子”,如果光看这些外表上的不良倾向,当然无法真正理解像霍尔顿这样的孩子,而我们多少成年人却往往用简单、粗暴、主观的方法去对待青少年(包括自己的子女),从而造成或加深两代人的隔阂。
评分书拿在手里感觉还不错,不至于有廉价感,应该是正版
评分原版书怎么这么贵,外国故事值钱,嘿嘿。
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