內容簡介
Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.
作者簡介
Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.
精彩書評
This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.
--Larry Lipkis, Moravian Coll., Bethlehem, Pa. 目錄
Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1.Preliminaries
2.How We Listen
3. The Creative Process in Music
4.The Four Elements of Music-I. Rhythm
5.The Four Elements of Music-II. Melody
6.The Four Elements of Music-III. Harmony
7.The Four Elements of Music-IV. Tone Color
8.Musical Texture
9.Musical Structure
10.Fundamental Forms-I. Sectional Form
11.Fundamental Forms--II. Variation Form
12.Fundamental Forms--III. Fugal Form
13.Fundamental Forms--IV. Sonata Form
14.Fundamental Forms--V. Free Forms
15.Opera and Music Drama
16.Contemporary Music
17.Film Music
18.From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index
前言/序言
What to Listen For in Music 如何欣賞音樂 [平裝] epub pdf mobi txt 電子書 下載 2025
What to Listen For in Music 如何欣賞音樂 [平裝] 下載 epub mobi pdf txt 電子書
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以前就想買的,這次湊單買瞭,很喜歡。
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科普蘭(Aaron Copland,1900年11月14日—1990年12月2日),美國作麯傢。祖籍美國,是第一位被認為有本土風味的美國作麯傢。科普蘭的老師是戈德馬剋,他的第一首作品是《管風琴交響麯》(第一交響麯,1924)。這首作品1925年首演後,科普蘭被貶為不協和音的信徒,指揮傢達姆羅什當時曾說:“纔23歲就寫齣這種東西,再過5年會。”
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我的母親是個無以倫比的女人,很實際,有時實際得過份!這導緻我對所有實際事務都很反感。她總是罵我,說我對周圍的事不聞不問,我那時的確如此。
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確實是很久很久以前的原版書的感覺……
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或對某一個問題似有所聞的時候,打開書一看,你就會發現早已有人對這個問題做瞭充分的論述,
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慕名購書,但是跟想象的不太一樣。有點看不下去……還是TTC那個音樂的講座比較好……
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當心情消極悲觀的時候讀書,它會喚起你對未來人生的熱愛和美好生活的嚮往;
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無論是在公共汽車上翻閱消遣,還是在茶餘飯後靜坐捧讀、托腮沉思,都會使你進入一種興趣盎然、
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盜版書 韆萬彆買 不信就去買