The Portrait of a Lady 贵妇的画像 [平装] epub pdf mobi txt 电子书 下载 2024

The Portrait of a Lady 贵妇的画像 [平装] epub pdf mobi txt 电子书 下载 2024

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《贵妇的画像》是亨利·詹姆斯的早期代表作，被西方批评家看成是美国现代小说的一个发端。

内容简介

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy Aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.
女主人公伊莎贝尔·阿切尔是一位年轻貌美的美国少女，父母双亡后，被她富有的姨母带出美国一个小城，到她梦魂萦绕的古老欧洲去见识大千世界。她在伦敦郊外的“花园山庄”里暂住，先后拒绝了英国贵族沃伯顿和美国富商戈德伍德的求婚。她的表兄拉尔夫也暗暗爱上她，但他知道自己患不治之症无法结婚，只是说服病危的父亲把一笔巨额遗产留给表妹。伊莎贝尔又结识了高雅华贵、才艺超群的梅尔夫人，对这位已彻底欧洲化了的美国女人十分倾倒。姨父故世后，伊莎贝尔得到遗产去意大利游历。她在陶醉于佛罗伦萨和罗马的历史遗迹的同时，也渐渐进入梅尔夫人精心布下的圈套之中。梅尔夫人介绍她认识了一位长期侨居意大利的美国“半吊子艺术家”奥斯蒙德，此人看来儒雅斯文，富有教养。伊莎贝尔为之动心；还有他那位楚楚动人的女儿帕茜，也引起她的爱怜。她不顾周围亲戚和朋友的一再警告和反对，自作主张地下嫁于他。婚后她渐渐发现自己受了骗，奥斯蒙德确实是一条自私伪善的花丛中的毒蛇。她还发现梅尔夫人早就是奥斯蒙德的情妇，帕茜便是他们的私生女。在万分痛苦之时，她强作欢颜，对外人隐瞒了婚姻不幸的实情。表兄拉尔夫在英国病危，伊莎贝尔不顾丈夫的反对赶去看他。拉尔夫死后，伊莎贝尔出乎众人的预料，又回到罗马。

作者简介

Henry James (1843-1916), born in New York City, was the son of noted religious philosopher Henry James, Sr., and brother of eminent psychologist and philosopher William James. He spent his early life in America and studied in Geneva, London and Paris during his adolescence to gain the worldly experience so prized by his father. He lived in Newport, went briefly to Harvard Law School, and in 1864 began to contribute both criticism and tales to magazines. In 1869, and then in 1872-74, he paid visits to Europe and began his first novel, Roderick Hudson. Late in 1875 he settled in Paris, where he met Turgenev, Flaubert, and Zola, and wrote The American (1877). In December 1876 he moved to London, where two years later he achieved international fame with Daisy Miller. Other famous works include Washington Square (1880), The Portrait of a Lady (1881), The Princess Casamassima (1886), The Aspern Papers (1888), The Turn of the Screw (1898), and three large novels of the new century, The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904). In 1905 he revisited the United States and wrote The American Scene (1907). During his career, he also wrote many works of criticism and travel. Although old and ailing, he threw himself into war work in 1914, and in 1915, a few months before his death, he became a British subject. In 1916 King George V conferred the Order of Merit on him. He died in London in February 1916.

亨利·詹姆斯(Henry James, 1843年4月15日- 1916年2月28日、享年73岁)，英国-美国作家，出身于纽约的上层知识分子家庭，父亲老亨利·詹姆斯是著名学者，兄长威廉·詹姆斯是知名的哲学家和心理学家。詹姆斯本人长期旅居欧洲，对19世纪末美国和欧洲的上层生活有细致入微的观察。詹姆斯是同性恋者。他与同时代的美国女作家伊迪丝·华顿保持着长期的友谊。

精彩书摘

Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do,—the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shad- ows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one’s enjoyment of such a scene at such an hour. From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned. The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house. His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch. It stood upon a low hill, above the river—the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers. The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night’s hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell’s wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real ?sthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances—which fell so softly upon the warm, weary brickwork—were of the right measure. Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior. The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water. The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest. He had a narrow, clean-shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure. He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-br

The Portrait of a Lady 贵妇的画像 [平装] epub pdf mobi txt 电子书 下载 2024

The Portrait of a Lady 贵妇的画像 [平装] 下载 epub mobi pdf txt 电子书 2024

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Henry James的风格一贯如此

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《一位贵妇的画像》属于詹姆斯的早期作品，具有清新明快的风格；又经过20世纪初再次修订，因而兼有作者后期精雕细琢的艺术特点。全书洋溢着浓郁的诗情，人物性格揭示深刻而不玄奥，内心世界刻画细致而不繁琐，结构周密匀称，情节也较引人入胜。

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当你孤独寂寞时读书，它就像佳人乍到，给你送来了清新的问候和舒适的抚慰，

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在小说中，伊莎贝尔这个中心人物贯穿始终，牵动全局。作者在该书序言中说，他完全是从“一个特定的、引人入胜的少女的性格和形象”着手来构思整部小说的，所有的情节、场景、其他人物等，都是根据表现中心人物的需要来安排的。而写中心人物，作者把描写的重心又放在人物内心世界上，着力表现其品质、意识和感情，以及情节发展各个阶段人物的内心反应。小说中的事件、场景，其他人物的言行，都成为中心人物的一次次“启示”和“暗示”，使她逐步认识自己和周围世界。作者小心翼翼地把题材尽量控制在中心人物的意识活动的范围内。所以“画像”实际上是心灵的画像。全书匀称地分为三个部分。头一部分（1至19章）写女主人公初到英国时的经历，通过她和三个追求者和其他人物的关系详细介绍和分析了她的性格和理想。大量的笔墨花在描写她的自我评价和对世界的思索上。第二部分（20至35章）把故事引向欧洲大陆，通过女主人公同梅尔夫人、奥斯蒙德的纠葛，层层展开她心理的各个侧面，细致刻画她在特定生活场景中所显示出来的种种性格矛盾：既博学又幼稚，既刚强又软弱，既追求真理又固执己见，既深思熟虑又骄傲轻率。这样便铺垫了她落入陷阱的心理原因。第三部分（36至55章）写女主人公婚后的不幸，着重写她逐渐觉醒的过程，及其性格和心理的发展变化。第42章是全书最重要的一章，集中描写她发现受骗以后的自我反省和对丈夫本质的深入思考。这是一段优美精细、饱含深情和悲剧意识的内心独白和心理剖析，被公认为詹姆斯心理描写技巧的一个典范。小说的结局是伊莎贝尔回到丈夫那里去，这固然说明她软弱，也表明她勇于承担自己造成的后果，她的道德观要求她承担义务来照顾继女帕茜，使之免蹈覆辙。她虽然丧失了婚姻上的自由，但仍保持了精神上的自由，表明她在道德上战胜了奥斯蒙德。这样的结局也是符合一个深受传统文化熏陶的19世纪上层女子的性格发展逻辑的。

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读书对于不同的人有不同的乐趣，对于从事体力劳动来说，读书一种休闲；对于从事脑力劳动的人来说，

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在京东上买书也是很方便的

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细腻深刻，心理画像~

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或对某一个问题似有所闻的时候，打开书一看，你就会发现早已有人对这个问题做了充分的论述，

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