青銅器
1．裝飾紋樣與地域——漢中青銅器的個案
“Ornament and Territory: The Case of the Bronzes from Hanzhong,” forthcoming in Cao Wei ed., Hanzhong chutu Shangdai qingtongqi, 4 vols., Chengdu: Sichuan chubanshe, Ba Shu chubanshe, 2006—2011.
2．是政治傢，還是野蠻人？——從青銅器看西周
“Statesmen or Barbarians, the Western Zhou as Seen Through Their Bronzes,”British Academy Albert Reckitt Archaeological Lecture, 19th October 1989,Proceedings of the British Academy, LXXV, 1989, pp.71-95.
3．西周青銅鑄造技術革命及其對各地鑄造業的影響
“A Bronze-casting Revolution in the Western Zhou and Its Impact on Provincial
Industries,” in R. Maddin ed., The Beginnings of the Use of Metals and Alloys, Papers from the Second International Conference on the Beginnings of the Use of Metals and Alloys, Zhengzhou, China, 21-26 October 1986, Boston: Massachusetts Institute of Technology, 1988, pp.228-238.
4．戰國及秦漢時期的禮器變化
“Ritual Vessel Changes in the Warring States, Qin and Han Periods,” in Regional Culture, Religion and Arts before the Seventh Century, Papers from the Third International Conference on Sinology, History Section, Taipei: Institute of History & Philology, Academia Sinica, 2002, pp.1-57
復古維新
5．古代紋飾的復興與過去的呈現——來自商周青銅器的例子
“Reviving Ancient Ornament and the Presence of the Past: Examples from Shang and Zhou Bronze Vessels,” in Wu Hung ed., Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture, Chicago: Art Media Resources, 2010, pp.47-76.
6．復古維新——以中國青銅器為例
“Novelties in Antiquarian Revivals: The Case of the Chinese Ritual Bronzes,” The National Palace Museum Research Quarterly, vol.22, no.1, Autumn, 2004, pp.1-34.
7．中國青銅器的傳承
“The Ancestry of Chinese Bronzes,” in Steven Lubar and W. David Kingery eds., History from Things: Essays on Material Culture, Washington, Smithsonian Institution Press, 1993, pp.51-73.
墓 葬
8．中國的喪葬模式——思想與信仰的知識來源
“Chinese Burial Patterns: Sources of Information on Thought and Belief,” in Chris Scarre and Colin Renfrew eds., Cognition and Culture: the Archaeology of Symbolic Storage, Cambridge: McDonald Institute for Archaeological Research, 1998, pp.107-133.
9．圖像的力量——秦始皇的模型宇宙及其影響
“The Power of Images: The Model Universe of the First Emperor and Its Legacy,” Historical Research, vol.75, no.188, May 2002, pp.123-154.
10．西漢的永恒宮殿——新宇宙觀的發展
“The Eternal Palaces of the Western Han: A New View of the Universe,” Artibus Asiae, vol. LIX, 1/2, 1999, pp.5-58.
11．作為藝術、裝飾與圖案之源的宇宙觀體係
“Cosmological Systems as Sources of Art, Ornament and Design,” Bulletin of the Museum of Far Eastern Antiquities, vol.72, 2000, pp.133-189.
12．中國山水畫的緣起——來自考古材料的證明
“The Origins of Chinese Mountain Painting: Evidence from Archaeology,” Proceedings of the British Academy, vol.117, 2002, pp.1-48.
中西交通
13．紅瑪瑙珠、動物塑像和帶有異域風格的器物——公元前1000—前650 年前後周及其封國與亞洲內陸的交流跡象
“Carnelian Beads, Animal Figures and Exotic Vessels: Traces of Contact between the Chinese States and Inner Asia, c.1000—650BC,” Archäeologie in China, vol.1, Bridging Eurasia, 2010, pp.1-42.
14．中國的博山爐——由來、影響及其含義
“The Chinese Hill Censer, boshanlu: A Note on Origins, Influences and Meanings,”Ars Asiatiques, Volume en homage á Madame Michéle Pirazzoli t’Serstevens, vol.61, 2006, pp.75-86.
裝飾係統
15．萬曆皇帝畫像的載體作用
“A Portrait of the Wanli Emperor: Art Ritual and Agency,” in Robin Osborn and
Jeremy Tanner eds., Arts’ Agency, Oxford: Blackwells, 2007, pp.95-113.
16．裝飾係統——中國的花鳥圖像
“Ornament as System: Chinese Bird-and-Flower Designs,” The Burlington Magazine, June 2006, pp.380-389.
17．“盛世華章展”綜述
“China: The Three Emperors, 1662—1795: An Exhibition from the Palace Museum, Beijing,” Orientations, vol. 36, no.8, 2005, pp.46-55.
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