村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
Kafka on the Shore is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom.
As their paths converge, and the reasons for that convergence become clear, Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder. Kafka on the Shore displays one of the world’s great storytellers at the peak of his powers.
##昨天纔讀完《海邊的卡夫卡》,倒真如奧地利作傢弗蘭茲卡夫卡作品般荒謬,這本書拖拖踏踏讀瞭差不多一個月纔讀完,看到最後一句時,總有種莫名的空虛感,卻無法從中感到什麼實質性的思考。直到隔瞭一天,午睡蘇醒時纔像是觸電般感到——這是一個十五歲少年對荒謬世界的初步認知...
評分 評分##"The best way to get at reality is to be as far from it as possible." As I embark on this tour de force with the toughest fifteen-year-old in the world, everything is fated to form into a larger-than-life sort of trance that so distinguishes this postmodern bildungsroman from any other imitations in this genre.
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