具体描述
Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor of Art History, and East Asian Languages and Civilization, at the University of Chicago. Special research interests include relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory, and political discourses.
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts.
At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
用户评价
##这本typo有点多啊
评分##这次读的英文，很平白，仍然是时间上远的比近的讲得好…… 收获了一些灵感。 花了两天时间匆匆读完巫鸿《聚焦:摄影在中国》。很难说这是一部中国摄影史通史，因为这本小书只是选取了若干不连续的片段而已，更重要的是，这只是巫鸿的摄影史。全书都有很强的他自己知识兴趣的烙印。从美术史到考古学再到实验艺术。巫鸿选取了中国摄影史上他最感兴趣的人和事...
评分##本书写的太好了，作者用朴实的文字从摄影史的角度把中国近代史又过了一遍，已经分不清是一本带有插图的书还是注释偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
评分 评分##这本书早先是巫先生于2016年在美国出版摄影类论文集。里面收录的文章大抵来自2000年左右始巫先生参与过的学术项目、展览计划等。其中大部分文章很早就发表过（如《“老照片热”...》一文曾收录在《作品与展场》一书中）。我相信如果您是巫先生的忠实粉丝，那读起这本书来一定非...
评分##本书写的太好了，作者用朴实的文字从摄影史的角度把中国近代史又过了一遍，已经分不清是一本带有插图的书还是注释偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
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