具體描述
Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor of Art History, and East Asian Languages and Civilization, at the University of Chicago. Special research interests include relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory, and political discourses.
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts.
At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
用戶評價
##這本書早先是巫先生於2016年在美國齣版攝影類論文集。裏麵收錄的文章大抵來自2000年左右始巫先生參與過的學術項目、展覽計劃等。其中大部分文章很早就發錶過（如《“老照片熱”...》一文曾收錄在《作品與展場》一書中）。我相信如果您是巫先生的忠實粉絲，那讀起這本書來一定非...
評分 評分 評分##本書寫的太好瞭，作者用樸實的文字從攝影史的角度把中國近代史又過瞭一遍，已經分不清是一本帶有插圖的書還是注釋偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
評分豐富的曆史細節與巫鴻本人與攝影藝術傢們的connection分不開。可能是中國當代攝影唯一的（非官方）曆史記錄。教授一周布置一章，一個學期下來剛好讀完。其中駁斥瞭一些研究中國藝術史的西方學者的觀點，對比中可見各自傾嚮，值得細讀。另：巫鴻老師是齣色的非母語人文學科學術寫作者，讀來沒有太多非母語者使用英語的齟齬感。
評分 評分 評分##關於攝影的深描可見於此。Reaktion齣的《廢墟》和《聚焦》兩本書，裝幀好紙質佳且價格親民，此前翻譯導師的章節也得到瞭他們編輯的大力支持，真的良心。畫外音：想起前幾日某詩人的公眾號說中國無攝影史，一部《中國攝影史》由外國人寫成，介紹的是外國攝影師在中國拍的照片。何其狹隘的觀點，簡直慘不忍睹。
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