文學理論導論（第2版） [Literary Theory:An Introduction] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

伊格爾頓（Eagleton T.） 著

齣版社： 外語教學與研究齣版社 ，

ISBN：9787560044729

版次：2

商品編碼：10034171

品牌：外研社

包裝：平裝

叢書名： 英美文學文庫

外文名稱：Literary Theory:An Introduction

開本：16開

齣版時間：2004-11-01

頁數：234

正文語種：英語

內容簡介

　　《文學理論導論》(第2版)是西方馬剋思主義文學批評最重要的代錶人物之一特裏·伊格爾頓的代錶作，係統介紹瞭自20世紀初以來西方文學批評理論發展演變的脈絡，在全世界有著廣泛影響，並成為當代歐美許多大學文學專業的教科書，即使與伊格爾頓持不同觀點的教授也不得不承認：“我沒有更閤適的教科書可用瞭。”

目錄

Preface to the Second Edition
Preface
Introduction： What is Literature?
1　The Rise of English
2　Phenomenology， Hermeneutics， Reception Theory
3　Structuralism and Semiotics
4　Post-Structuralism
5　Psychoanalysis
Conclusion： Political Criticism
Afterword
Notes
Bibliography
Index

精彩書摘

　　The Rise of English
　　In eighteenth-century England, the concept of literature was not confined asit sometimes is today to creative or imaginative writing. It meant thewhole body Of valued writing in society: philosophy, history, essays andletters as wellas poems. What made a text literary was not whether it wasfictional - the eighteenth century was in grave doubt about whether the newupstart form of the novel was literature at all - but whether it conformed tocertain standards of polite letters. The criteria of what counted as litera-ture, in other words, were frankly ideological: writing which embodied thevalues and tastes of a particular social class qualified as literature, whereasa street ballad, a popular romance and perhaps even the drama did not. Atthis historical point, then, the value-ladenness of the concept of literaturewas reasonably self-evident.
　　In the eighteenth century, however, literature did more than embodycertain social values: it was a vital instrument for their deeper entrenchmentand wider dissemination. Eighteenth-century England had emerged, battered but intact, from a bloody civil war in the previous century which hadset the social classes at each others throats; and in the drive to reconsolidatea shaken social order, the neo-classical notions of Reason, Nature, order andpropriety, epitomized in art, were key concepts. With the need to incorpor-ate the increasingly powerful but spiritually rather raw middle classes intounity with the ruling aristocracy, to diffuse polite social manners, habits ofcorrect taste and common cultural standards, literature gained a newimportance. It included a whole set of ideological institutions: periodicals,coffee houses, social and aesthetic treatises, sermons, classical translations,guidebooks to manners and morals. Literature was not a matter of feltexperience, personal response or imaginative uniqueness:such terms,indissociable for us today from the whole idea of the literary, would nothave counted for much with Henry Fielding.

前言/序言

　　This book is an attempt to make modern literary theory intelligible andattractive to as wide a readership as possible. Since it first appeared in 1983，I am gratified to report that it has been studied by lawyers as well as literarycritics， anthropologists as well as cultural theorists. In one sense， perhaps，this isnt all that surprising. As the book itself tries to demonstrate， there isin fact no literary theory， in the sense of a body of theory which springsfrom， or is applicable to， literature alone. None of the approaches outlined inthis book， from phenomenology and semiotics to structuralism and psychoanalysis， is simply concerned with literary writing. On the contrary， they allemerged from other areas of the humanities， and have implications wellbeyond literature itself. This， I imagine， has been one reason for the bookspopularity， and one reason which makes a new edition of it worthwhile. ButI have also been struck by the number of non-academic readers it hasattracted. Unlike most such works， it has managed to reach a readershipbeyond academia， and this is especially interesting in the light of literarytheorys so-called elitism. If it is a difficult， even esoteric language， then itseems to be one which interests people who have never seen the inside of auniversity; and if this is so， then some of those inside universities whodismiss it for its esotericism ought to think again. It is encouraging， anyway，that in a postmodern age in which meaning， like everything else， is expectedto be instantly consumable， there are those who have found the labour ofacquiring new ways of speaking of literature to be worthwhile.

評分☆☆☆☆☆

買這本書送給英語專業的朋友，朋友很喜歡。伍曉明的中譯本其實也不錯。

評分☆☆☆☆☆

But the data comparing young adults aged sixteen to twenty-four in different countries—the folks who will be manning the global economy for the next thirty or forty years—deserves a closer look. The figures come from three charts in the report’s statistical annex, which we have adapted here. Taken together, they vividly illustrate some of the challenges facing an economic hegemon that has for decades been plagued by wage stagnation and rising inequality, and which, as President Obama has pointed out, desperately needs to raise its game.

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2　Phenomenology， Hermeneutics， Reception Theory

評分☆☆☆☆☆

書都挺好全新正版，就是物流太慢，前後用瞭15天，效率太低

評分☆☆☆☆☆

此書國內雖然已有多個譯本，但有些地方還是要查對原文。一直在找此書的原版，終於在京東找到，而且價格齣乎意料的便宜。值得推薦。

評分☆☆☆☆☆

伊格爾頓這本書的中文譯本在圖書館我見到至少五種，而且名字各個不同，如果伊格爾頓的粉絲在不明就裏的情況下全買瞭，那就吃大虧瞭啊。所以說不負責任的翻譯害死人啊，我想，如果你的英文水平還不是太差的話，那麼就買這本英文原版，最起碼不會被國內的翻譯忽悠瞭。

評分☆☆☆☆☆

老師推薦的文論書之一

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極好的理論圖書。特裏·伊格爾頓（TerryEagleton，1943-），當代著名的西方馬剋思主義文學理論傢和具有獨特風格的文化批評傢。齣生於英國曼徹斯特附近的薩爾福一個工人階級傢庭，1961年進入劍橋大學，在這所充滿貴族氣息的大學，齣身工人階級的伊格爾頓倍感孤獨，於是投身於學校文化圈外的政治運動中。在校學習期間，伊格爾頓深受老師威廉斯的影響，閱讀和鑽研瞭馬剋思本人以及“西方馬剋思主義”(西馬）理論傢的著作，並逐漸成長為一位馬剋思主義批評傢。

評分☆☆☆☆☆

此用戶未填寫評價內容