文学理论导论（第2版） [Literary Theory:An Introduction] pdf epub mobi txt 电子书 下载 2025

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伊格尔顿（Eagleton T.） 著

图书标签:

• 文学理论
• 批评理论
• 文化研究
• 文学史
• 西方哲学
• 现代主义
• 后现代主义
• 结构主义
• 解构主义
• 马克思主义文学批评

出版社： 外语教学与研究出版社 ，

ISBN：9787560044729

版次：2

商品编码：10034171

品牌：外研社

包装：平装

丛书名： 英美文学文库

外文名称：Literary Theory:An Introduction

开本：16开

出版时间：2004-11-01

页数：234

正文语种：英语

内容简介

　　《文学理论导论》(第2版)是西方马克思主义文学批评最重要的代表人物之一特里·伊格尔顿的代表作，系统介绍了自20世纪初以来西方文学批评理论发展演变的脉络，在全世界有着广泛影响，并成为当代欧美许多大学文学专业的教科书，即使与伊格尔顿持不同观点的教授也不得不承认：“我没有更合适的教科书可用了。”

目录

Preface to the Second Edition
Preface
Introduction： What is Literature?
1　The Rise of English
2　Phenomenology， Hermeneutics， Reception Theory
3　Structuralism and Semiotics
4　Post-Structuralism
5　Psychoanalysis
Conclusion： Political Criticism
Afterword
Notes
Bibliography
Index

精彩书摘

　　The Rise of English
　　In eighteenth-century England, the concept of literature was not confined asit sometimes is today to creative or imaginative writing. It meant thewhole body Of valued writing in society: philosophy, history, essays andletters as wellas poems. What made a text literary was not whether it wasfictional - the eighteenth century was in grave doubt about whether the newupstart form of the novel was literature at all - but whether it conformed tocertain standards of polite letters. The criteria of what counted as litera-ture, in other words, were frankly ideological: writing which embodied thevalues and tastes of a particular social class qualified as literature, whereasa street ballad, a popular romance and perhaps even the drama did not. Atthis historical point, then, the value-ladenness of the concept of literaturewas reasonably self-evident.
　　In the eighteenth century, however, literature did more than embodycertain social values: it was a vital instrument for their deeper entrenchmentand wider dissemination. Eighteenth-century England had emerged, battered but intact, from a bloody civil war in the previous century which hadset the social classes at each others throats; and in the drive to reconsolidatea shaken social order, the neo-classical notions of Reason, Nature, order andpropriety, epitomized in art, were key concepts. With the need to incorpor-ate the increasingly powerful but spiritually rather raw middle classes intounity with the ruling aristocracy, to diffuse polite social manners, habits ofcorrect taste and common cultural standards, literature gained a newimportance. It included a whole set of ideological institutions: periodicals,coffee houses, social and aesthetic treatises, sermons, classical translations,guidebooks to manners and morals. Literature was not a matter of feltexperience, personal response or imaginative uniqueness:such terms,indissociable for us today from the whole idea of the literary, would nothave counted for much with Henry Fielding.

前言/序言

　　This book is an attempt to make modern literary theory intelligible andattractive to as wide a readership as possible. Since it first appeared in 1983，I am gratified to report that it has been studied by lawyers as well as literarycritics， anthropologists as well as cultural theorists. In one sense， perhaps，this isnt all that surprising. As the book itself tries to demonstrate， there isin fact no literary theory， in the sense of a body of theory which springsfrom， or is applicable to， literature alone. None of the approaches outlined inthis book， from phenomenology and semiotics to structuralism and psychoanalysis， is simply concerned with literary writing. On the contrary， they allemerged from other areas of the humanities， and have implications wellbeyond literature itself. This， I imagine， has been one reason for the bookspopularity， and one reason which makes a new edition of it worthwhile. ButI have also been struck by the number of non-academic readers it hasattracted. Unlike most such works， it has managed to reach a readershipbeyond academia， and this is especially interesting in the light of literarytheorys so-called elitism. If it is a difficult， even esoteric language， then itseems to be one which interests people who have never seen the inside of auniversity; and if this is so， then some of those inside universities whodismiss it for its esotericism ought to think again. It is encouraging， anyway，that in a postmodern age in which meaning， like everything else， is expectedto be instantly consumable， there are those who have found the labour ofacquiring new ways of speaking of literature to be worthwhile.

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很专业的书

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书的排版什么的都是挺好的，看不懂的同学可以买到中译本，还是很方便理解的。

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书都挺好全新正版，就是物流太慢，前后用了15天，效率太低

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大概是伊格尔顿最为人熟悉的作品，不少腹黑的评论和吐糟。

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Bibliography

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　　作为当今英国最负盛名的文学批评家、文化理论家和马克思主义理论家，特雷•伊格尔顿和美国的另一位马克思主义理论家詹姆逊分居当今西方马克思主义理论界的两极。仔细的考察他们的不同时期的理论转向还真的能发现许多的相同点，比如，两人都是从文学研究入手逐步进入当代文化研究和文化批评领域；两人都以较大的热情投入了国际性的后现代主义理论争鸣；并且两人都积极投入当代文化研究的大潮之中。但是他们之间的不同之处也是非常的显著，最明显的一点就是反映他们不同的著作中，詹姆逊的著述风格多倾向于建构方面，在后现代的一系列的论争中多主张积极的对话，体现了文化的包容性。而伊格尔顿的著作中多体现了马克思主义理论的批判方面，他的特色是很少建构宏大的理论体系，批判多辛辣尖锐，但不乏理论的深度和学识，也许正是这种个人风格方面的原因，再加上他特意的“论著通俗化”倾向，这本《二十世纪西方文学理论》一直让我爱不释手。

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我喜欢的，本专业很厉害的一本书！