文学理论导论（第2版） [Literary Theory:An Introduction] pdf epub mobi txt 电子书 下载 2025

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伊格尔顿（Eagleton T.） 著

出版社： 外语教学与研究出版社 ，

ISBN：9787560044729

版次：2

商品编码：10034171

品牌：外研社

包装：平装

丛书名： 英美文学文库

外文名称：Literary Theory:An Introduction

开本：16开

出版时间：2004-11-01

页数：234

正文语种：英语

内容简介

　　《文学理论导论》(第2版)是西方马克思主义文学批评最重要的代表人物之一特里·伊格尔顿的代表作，系统介绍了自20世纪初以来西方文学批评理论发展演变的脉络，在全世界有着广泛影响，并成为当代欧美许多大学文学专业的教科书，即使与伊格尔顿持不同观点的教授也不得不承认：“我没有更合适的教科书可用了。”

目录

Preface to the Second Edition
Preface
Introduction： What is Literature?
1　The Rise of English
2　Phenomenology， Hermeneutics， Reception Theory
3　Structuralism and Semiotics
4　Post-Structuralism
5　Psychoanalysis
Conclusion： Political Criticism
Afterword
Notes
Bibliography
Index

精彩书摘

　　The Rise of English
　　In eighteenth-century England, the concept of literature was not confined asit sometimes is today to creative or imaginative writing. It meant thewhole body Of valued writing in society: philosophy, history, essays andletters as wellas poems. What made a text literary was not whether it wasfictional - the eighteenth century was in grave doubt about whether the newupstart form of the novel was literature at all - but whether it conformed tocertain standards of polite letters. The criteria of what counted as litera-ture, in other words, were frankly ideological: writing which embodied thevalues and tastes of a particular social class qualified as literature, whereasa street ballad, a popular romance and perhaps even the drama did not. Atthis historical point, then, the value-ladenness of the concept of literaturewas reasonably self-evident.
　　In the eighteenth century, however, literature did more than embodycertain social values: it was a vital instrument for their deeper entrenchmentand wider dissemination. Eighteenth-century England had emerged, battered but intact, from a bloody civil war in the previous century which hadset the social classes at each others throats; and in the drive to reconsolidatea shaken social order, the neo-classical notions of Reason, Nature, order andpropriety, epitomized in art, were key concepts. With the need to incorpor-ate the increasingly powerful but spiritually rather raw middle classes intounity with the ruling aristocracy, to diffuse polite social manners, habits ofcorrect taste and common cultural standards, literature gained a newimportance. It included a whole set of ideological institutions: periodicals,coffee houses, social and aesthetic treatises, sermons, classical translations,guidebooks to manners and morals. Literature was not a matter of feltexperience, personal response or imaginative uniqueness:such terms,indissociable for us today from the whole idea of the literary, would nothave counted for much with Henry Fielding.

前言/序言

　　This book is an attempt to make modern literary theory intelligible andattractive to as wide a readership as possible. Since it first appeared in 1983，I am gratified to report that it has been studied by lawyers as well as literarycritics， anthropologists as well as cultural theorists. In one sense， perhaps，this isnt all that surprising. As the book itself tries to demonstrate， there isin fact no literary theory， in the sense of a body of theory which springsfrom， or is applicable to， literature alone. None of the approaches outlined inthis book， from phenomenology and semiotics to structuralism and psychoanalysis， is simply concerned with literary writing. On the contrary， they allemerged from other areas of the humanities， and have implications wellbeyond literature itself. This， I imagine， has been one reason for the bookspopularity， and one reason which makes a new edition of it worthwhile. ButI have also been struck by the number of non-academic readers it hasattracted. Unlike most such works， it has managed to reach a readershipbeyond academia， and this is especially interesting in the light of literarytheorys so-called elitism. If it is a difficult， even esoteric language， then itseems to be one which interests people who have never seen the inside of auniversity; and if this is so， then some of those inside universities whodismiss it for its esotericism ought to think again. It is encouraging， anyway，that in a postmodern age in which meaning， like everything else， is expectedto be instantly consumable， there are those who have found the labour ofacquiring new ways of speaking of literature to be worthwhile.

评分☆☆☆☆☆

伊格尔顿算是文艺学届的大牛了，原版，很好，可以对比国内译本来读。

评分☆☆☆☆☆

书没有问题，读这本书的必要性不用说了，对文艺学来说，这个是必须的。

评分☆☆☆☆☆

此书国内虽然已有多个译本，但有些地方还是要查对原文。一直在找此书的原版，终于在京东找到，而且价格出乎意料的便宜。值得推荐。

评分☆☆☆☆☆

本来想读作者的另一本书，可惜没货了，就搜了这本，结果是英文的。。。。

评分☆☆☆☆☆

全英文的，值得购买。虽然字号小了一点，又是英文的，看着有点不习惯。

评分☆☆☆☆☆

本来想读作者的另一本书，可惜没货了，就搜了这本，结果是英文的。。。。

评分☆☆☆☆☆

刚上大学时就读过这书之前的译本，也即《文学原理引论》，现在重新买了修订本，回忆起早年读书岁月。此书从文学是什么这个共同问题出发，介绍了二十世纪西 方主要的几个文学流派对文学的理论，有理论深度但不艰深。

评分☆☆☆☆☆

包装精美，物流迅速，质量上等，非常实惠！

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4　Post-Structuralism