Return to Sender [平装] [9岁及以上] pdf epub mobi txt 电子书 下载 2025

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☆☆☆☆☆

Julia Alvarez（朱莉娅·阿尔瓦雷斯） 著

图书标签:

• 友情
• 家庭
• 幽默
• 成长
• 信件
• 冒险
• 学校生活
• 秘密
• 自我发现
• 平装本

出版社： Random House Children's Books

ISBN：9780375851230

商品编码：19032739

包装：平装

出版时间：2010-09-14

用纸：胶版纸

页数：352

正文语种：英文

商品尺寸：13.72x2.29x19.3cm

内容简介

After Tyler's father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?

In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.

作者简介

Julia Alvarez was born in New York City during her Dominican parents' "first and failed" stay in the United States. While she was still an infant, the family returned to the Dominican Republic -- where her father, a vehement opponent of the Trujillo dictatorship, resumed his activities with the resistance. In 1960, in fear for their safety, the Alvarezes fled the country, settling once more in New York.

Alvarez has often said that the immigrant experience was the crucible that turned her into a writer. Her struggle with the nuances of the English language made her deeply conscious of the power of words, and exposure to books and reading sharpened both her imagination and her storytelling skills. She graduated summa cum laude from Middlebury College in 1971, received her M.F.A. from Syracuse University, and spent the next two decades in the education field, traveling around the country with the poetry-in-the-schools program and teaching English and Creative Writing to elementary, high school, and college students.

Alvarez's verse began to appear in literary magazines and anthologies, and in 1984, she published her first poetry collection, Homecoming. She had less success marketing her novel -- a semiautobiographical story that traced the painful assimilation of a Dominican family over a period of more than 30 eventful years. A series of 15 interconnected stories that unfold in reverse chronological order, How the Garcia Girls Lost Their Accents addresses, head-on, the obstacles and challenges immigrants face in adapting to life in a new country.

It took some time for "ethnic" literature to gain enough of a foothold in the literary establishment for Alvarez's agent, a tireless champion of minority authors, to find a publisher. But when the novel was released in 1991, it received strongly positive reviews. And so, at the tender age of 41, Alvarez became a star. Three years later, she proved herself more than a "one-hit wonder," when her second novel, In the Time of Butterflies was nominated for the prestigious National Book Critics Circle Award. Since then, she has made her name as a writer of remarkable versatility, juggling novels, poetry, children's books, and nonfiction with equal grace and aplomb. She lives in Vermont, where she serves as a writer in residence at her alma mater, Middlebury College. In addition, she and her husband run a coffee farm in the Dominican Republic that hosts a school to teach the local farmers and their families how to read and write.

精彩书评

"After Tyler's father's accident, his family hires undocumented Mexican workers in a last-ditch effort to keep their Vermont farm. Despite his reservations, Tyler soon bonds with a worker's daughter, who is in his sixth-grade class. His problems seem small compared to Mari's: her family fears deportation, and her mother has been missing since re-entering the States months ago. While this novel is certainly issue-driven, Alvarez (Before We Were Free) focuses on her main characters, mixing in Mexican customs and the touching letters that Mari writes to her mother, grandmother and even the U.S. president. Readers get a strong sense of Tyler's growing maturity, too, as he navigates complicated moral choices. Plot developments can be intense: Mari's uncle lands in jail, and her mother turns out to have been kidnapped and enslaved during her crossing. Some characters and sentiments are over-the-top, but readers will be moved by small moments, as when Tyler sneaks Mari's letter to her imprisoned uncle, watching as the man puts his palm on the glass while Tyler holds up the letter from the other side. A tender, well-constructed book."
-- Publishers Weekly

寂静之河的低语 作者：艾琳·哈珀 内容简介： 在被时间遗忘的角落，坐落着一个被浓密雾气常年笼罩的小镇——奥克伍德。镇上的生活节奏缓慢得如同凝固的琥珀，居民们似乎都沉浸在一种世代相传的、对外界的疏离感中。这里没有宏大的工业，只有古老的石砌房屋和一条蜿蜒穿镇而过的“寂静之河”。河水浑浊不清，据说它能吞噬一切秘密，并将任何不属于奥克伍德的痕迹冲刷得无影无踪。 故事的主人公，十六岁的莉拉·文森特，是一个与周围环境格格不入的灵魂。她拥有一双异常敏锐的眼睛，总能捕捉到别人视而不见的细节，尤其是那些隐藏在日常琐碎之下的裂痕。她的祖母，镇上最年长的织布工，在她十岁那年神秘失踪，只留下了一台布满铜锈的纺车和一本只有零星记载的日记。这份失踪像一块沉重的锚，将莉拉的心牢牢地拴在了奥克伍德的过去。 莉拉的生活在收到一封匿名信后被彻底颠覆。信件是用一种粗糙的羊皮纸写成的，墨迹像是用某种植物的汁液调制而成，散发着一股泥土和松针的混合气味。信中没有署名，只有一个晦涩的地址和一个日期，指向镇子边缘那片被称为“迷失者的低地”的沼泽深处。这封信的出现，打破了奥克伍德千百年来的宁静，也像一把钥匙，开启了莉拉对祖母失踪真相的追寻。 奥克伍德的居民们对任何试图探寻过去的行为都持有一种近乎本能的排斥。镇上的长老会，由一群沉默寡言的老人们组成，他们以维护“河的秩序”为己任，对任何试图记录、绘制或讨论镇子历史的人都投以冰冷的目光。莉拉很快发现，祖母的失踪并非孤例，在过去的几十年里，每隔一段时间，就会有一个对外界怀有好奇心的人，悄无声息地消失在雾中。 莉拉的调查将她引向了镇上最古老的建筑——废弃的灯塔。这座灯塔矗立在寂静之河入海口最高的悬崖上，已经熄灭了近一个世纪。传说中，灯塔的最后一位看守人与一种名为“影鱼”的生物有着某种不为人知的联系。在探访灯塔的过程中，莉拉遇到了马克斯，一个从大城市来的植物学家，他表面上是来研究沼泽地特有的稀有苔藓，但莉拉直觉他隐藏着更深的动机。马克斯拥有渊博的地理知识和令人惊叹的耐心，他成了莉拉在迷雾中摸索时，唯一可以信赖的伙伴。 随着两人深入调查，他们发现奥克伍德的历史远比表面上看起来的要复杂得多。镇子的建立并非偶然，而是为了看守一个被严密封锁的“边界”。这个边界似乎与一种古老的契约有关，一种维持着镇子与外界力量平衡的脆弱协议。祖母的日记中反复提及的“低语的石碑”和“潮汐的循环”，开始有了具体的指向——它们不是迷信，而是某种关于自然力量的古代记录。 莉拉和马克斯必须破解祖母留下的线索，这些线索交织着植物学、星象学和民间歌谣。他们发现，祖母的失踪与镇子与“影鱼”之间持续了数百年的“交易”息息相关。这种交易似乎保证了奥克伍德不受外部世界的干扰，但也以定期的“献祭”为代价——并非是血腥的牺牲，而是一种对记忆和特定知识的剥离。祖母，作为镇上知识的保管者，可能因为拒绝参与这种遗忘，而被“送回”了寂静之河的源头。 故事的高潮发生在一年一度的“雾祭”之夜。届时，河水会呈现出不自然的深紫色，镇上所有的灯光都会被熄灭，长老会聚集在河边举行古老的仪式。莉拉推断，祖母的失踪地点和关于“边界”的真相，都将在那个夜晚的最高潮被揭示。她和马克斯必须赶在仪式完成前，找到那块“低语的石碑”，解开祖母留下的最后谜团，并决定是揭露奥克伍德的秘密，让镇子重见天日，还是接受这份沉重的代价，确保寂静之河的平静得以维持。 《寂静之河的低语》是一部充满悬疑、哥特式氛围和细腻情感的小说。它探讨了集体记忆的重量、传统与进步之间的冲突，以及为了保护所爱之人愿意付出的代价。读者将被卷入一场关于秘密、谎言和自然力量的迷人探索之中，直到最后一页，河水的低语声依然会在耳边回荡。

评分☆☆☆☆☆

这本书带给我的整体感受，是一种持续性的、温和的震撼，它并不试图用耸人听闻的事件来吸引眼球，而是通过对人性的复杂层次的层层剥离，最终抵达一个令人深思的结论。它更像是一面镜子，映照出的不仅仅是故事中人物的命运，也折射出我们自己生活中那些未曾正视的灰色地带。读完最后一页后，那种满足感并非来源于“真相大白”的畅快，而是源于一种“被理解”的共鸣感。它提出的很多问题，并没有给出标准答案，而是将思考的权利和负担都交还给了读者，促使我在放下书本很久之后，依然会不时地回想起书中的某个场景或某句台词，并在日常生活中寻找它们的回响。这才是真正优秀的作品的标志——它拥有超越纸张和时间的力量，能够持续地在读者的精神世界中播撒种子，催生出新的想法和感悟。

评分☆☆☆☆☆

这本书的封面设计简直让人眼前一亮，那种略带复古的印刷质感和大胆的色彩搭配，一下子就抓住了我的注意力。我通常对那种设计得过于花哨的书籍不太感冒，但这一本不同，它散发着一种低调的魅力，仿佛在暗示着里面隐藏着一个不为人知的故事。光是盯着封面看了好一会儿，我就开始在脑海里构建各种可能的故事情节，这本身就是一种享受。而且，拿到手里的时候，那种纸张的触感也相当不错，厚实而有分量，看得出作者和出版社在细节上是下了不少功夫的。我常常觉得，一本好书，从拿起它的那一刻起，就应该开始它的魔力。这本书的外部包装无疑做到了这一点，它成功地在我心中种下了一颗好奇的种子，让我迫不及待地想知道，这看似平静的封面下，究竟蕴藏着怎样波澜壮阔或细腻入微的世界。我甚至有点舍不得翻开它，想让这份期待感多维持一会儿。对于我这种有点“外貌协会”倾向的读者来说，这本书的“第一印象分”绝对是满分，它用最直接的方式告诉我：这本书是值得我投入时间和精力的。

评分☆☆☆☆☆

阅读过程中，我留意到作者在构建世界观时展现出的那种惊人的细腻程度，即便它可能并非是一部宏大的奇幻史诗，但现实背景的描绘却达到了令人信服的程度。无论是某个特定地域的文化习俗，还是某个行业内部的专业术语，都处理得非常到位，显示出作者做了大量的背景研究，或者本身就对这个领域有着深厚的了解。这种真实感是构建沉浸式阅读体验的基石，它让那些虚构的情节得以有坚实的土壤扎根。举个例子，书中描绘了一个关于邻里之间复杂人际关系的小场景，那种微妙的试探、微妙的疏远和偶尔爆发的冲突，简直就是我过去生活经验的真实投射，让人忍不住想拍案叫绝。它没有用宏大的叙事去震撼你，而是通过这些触手可及、充满烟火气的生活片段，悄无声息地将你拉入这个故事的肌理之中，让人感受到文字背后那份对生活最本质的洞察力。

评分☆☆☆☆☆

这本书的语言风格像一条蜿蜒的河流，时而平静舒缓，带着哲学的沉思，时而又忽然涌起湍急的暗流，带着情感的冲击。我最欣赏的是作者对于情绪张力的控制，那种看似平静的文字下，常常潜藏着火山爆发前的征兆。它不是那种用大写字母和感叹号堆砌出来的“激烈”，而是一种更深沉、更具穿透力的情绪表达。很多时候，一个形容词的选择，一个动词的变位，就能瞬间改变整个场景的氛围，将原本平淡无奇的一句话，变得意味深长，甚至带着一丝悲凉的宿命感。这种文字上的精雕细琢，让我在阅读时经常需要放慢速度，细细品味每一个词语的选择，就好像在品鉴一瓶陈年的佳酿，急不得，也躁不得。对于寻求文学深度和文字美感的读者来说，这本书的语言本身就是一场盛宴，它挑战你对文字的传统理解，并给予丰厚的回报。

评分☆☆☆☆☆

这本书的开篇叙事节奏把握得简直像一位经验老到的音乐指挥家，每一个乐章的切入点都拿捏得恰到好处，丝毫没有那种生硬的、为了交代背景而进行的冗长铺陈。作者很聪明地选择了从一个看似无关紧要的日常小细节入手，但随着文字的深入，我立刻察觉到这个小细节背后隐藏着巨大的张力。它就像一个精密的钟表，每一个齿轮都在精准地咬合，推动着情节向前发展，但又不会让人感到气喘吁吁，反而有一种沉稳的推进感。我特别欣赏作者在处理人物内心活动时的那种克制与精准，没有过多的心理独白去解释一切，而是通过人物的言语、动作，甚至是沉默来暗示他们的复杂情感。这种“留白”的艺术，极大地激发了读者的想象力和参与感，我仿佛成了那个与主角一同呼吸、一同感受的观察者。读到三分之一处时，我甚至不得不停下来，回味刚才那几段对话，那种韵味和深意，绝非一扫而过就能体会的。