Those Who Leave and Those Who Stay 英文原版 [平装] [18岁及以上] pdf epub mobi txt 电子书 下载 2025

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Elena Ferrante 著

图书标签:

• Literary Fiction
• Family Saga
• Historical Fiction
• World War II
• Germany
• Postwar
• Relationships
• Secrets
• Loss
• Resilience

出版社： Europa

ISBN：9781609452339

商品编码：19539502

包装：平装

丛书名： Neapolitan Novels

出版时间：2014-09-11

页数：400

正文语种：英文

内容简介

The incredible story continues in book three of the critically acclaimed Neapolitan Novels!

Since the publication of My Brilliant Friend， the first of the Neapolitan novels， Elena Ferrante’s fame as one of our most compelling， insightful， and stylish contemporary authors has grown enormously. She has gained admirers among authors—Jhumpa Lahiri， Elizabeth Strout， Claire Messud， to name a few—and critics—James Wood， John Freeman， Eugenia Williamson， for example. But her most resounding success has undoubtedly been with readers， who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging， human relationships， love， family， and friendship.
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In this third Neapolitan novel， Elena and Lila， the two girls whom readers first met in My Brilliant Friend， have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood， earned her college degree， and published a successful novel， all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women have attempted are pushing against the walls of a prison that would have seen them living a life of misery， ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong， unbreakable bond.

作者简介

Elena Ferrante was born in Naples, Italy. She is the author of My Brilliant Friend, The Story of a New Name, and her previous novelsThe Days of Abandonment, Troubling Love, and The Lost Daughter.,,

精彩书评

Praise for Elena Ferrante and The Neapolitan Novels

The United States

“Ferrante’s novels are intensely， violently personal， and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.” —James Wood， The New Yorker
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“One of the more nuanced portraits of feminine friendship in recent memory.” —Megan O’Grady， Vogue
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“Amazing! My Brilliant Friend took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page， when your eyes seem to be popping from your head， when you think： I didn’t know books could do this!” —Elizabeth Strout， author of Olive Kitteridge
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“I like the Italian writer， Elena Ferrante， a lot. I've been reading all her work and all about her.” — John Waters， actor and director
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“Elena Ferrante may be the best contemporary novelist you’ve never heard of”— The Economist
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“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all， the echoes of literary history.” —The New York Times Book Review
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“I am such a fan of Ferrante’s work， and have been for quite a while.” —Jennifer Gilmore， author of The Mothers
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“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book” — Publisher’s Weekly
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“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job， or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”—Molly Fischer， The New Yorker

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples， with its cobblers and professors， communists and mobbed-up businessmen， womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.” —John Powers， Fresh Air， NPR
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“Elena Ferrante is one of the great novelists of our time. Her voice is passionate， her view sweeping and her gaze basilisk . . . In these bold， gorgeous， relentless novels， Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need， one told brilliantly， by a woman.”—Roxana Robinson， The New York Times Book Review
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“An intoxicatingly furious portrait of enmeshed friends Lila and Elena， Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression ?and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”—Entertainment Weekly
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“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.” —Shelf Awareness
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“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels， which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth.”—Megan O’Grady， Vogue
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“Ferrante’s writing is so unencumbered， so natural， and yet so lovely， brazen， and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect， bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative， but rather because she’s unselfconscious and brutally， diligently honest.”—Minna Proctor， Bookforum
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“Ferrante can do a woman’s interior dialogue like no one else， with a ferocity that is shockingly honest， unnervingly blunt.”—Booklist
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“The truest evocation of a complex and lifelong friendship between women I’ve ever read.” —Emily Gould， author of Friendship
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“Elena Ferrante is the author of several remarkable， lucid， austerely honest novels . . . My Brilliant Friend is a large， captivating， amiably peopled bildungsroman.” —James Wood， The New Yorker
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“Compelling， visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”—Jennifer Gilmore， The Los Angeles Times
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“Those Who Leave and Those Who Stay?surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”—Publishers Weekly (starred review)
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“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”—Mona Simpson， author of Casebook and Anywhere But Here
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“Elena Ferrante will blow you away.”—Alice Sebold， author of The Lovely Bones
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“The Days of Abandonment?is a powerful， heartrending novel.”—Jhumpa Lahiri， Pulitzer-prize winning author of The Lowland
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“The Neapolitan novel cycle is an unconditional masterpiece . . . I read all the books in a state of immersion; I was totally enthralled. There was nothing else I wanted to do except follow the lives of Lila and Lenù to the end.”—Jhumpa Lahiri， Pulitzer-prize?winning author of The Lowland
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“Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page， when your eyes seem to be popping from your head， when you think： I didn’t know books could do this!”—Elizabeth Strout， Pulitzer-prize winning author of The Burgess Boys
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“Elena Ferrante： the best angry woman writer ever!”—John Waters， director
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“The feverish speculation about the identity of Elena Ferrante betrays an understandable failure of imagination： it seems impossible that right now somewhere someone sits in a room and draws up these books. Palatial and heartbreaking beyond measure， the Neapolitan novels seem less written than they do revealed. One simply surrenders. When the final volume appears—may that day never come!—they’re bound to be acknowledged as one of the most powerful works of art， in any medium， of our age.”—Gideon Lewis-Kraus， author of A Sense of Direction
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“Ferrante tackles girlhood and friendship with amazing force.”—Gwyneth Paltrow， actor
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“Elena Ferrante’s The Story of a New Name. Book two in her Naples trilogy. Two words： Read it.”—Ann Hood， writer (from Twitter)
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“Ferrante continues to imbue this growing saga with great magic.”—Booklist (starred review)
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“One of Italy’s best contemporary novelists.”?—The Seattle Times

“Ferrante’s emotional and carnal candor are so potent.”—Janet Maslin， The New York Times
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“Elena Ferrante’s gutsy and compulsively readable new novel， the first of a quartet， is a terrific entry point for Americans unfamiliar with the famously reclusive writer， whose go-for-broke tales of women’s shadow selves—those ambivalent mothers and seething divorcées too complex or unseemly for polite society (and most literary fiction， for that matter)—shimmer with Balzacian human detail and subtle psychological suspense . . . The Neapolitan novels offer one of the more nuanced portraits of feminine friendship in recent memory—from the make-up and break-up quarrels of young girls to the way in which we carefully define ourselves against each other as teens—Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.” —Megan O’Grady， Vogue
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“My Brilliant Friend is a sweeping family-centered epic that encompasses issues of loyalty， love， and a transforming Europe. This gorgeous novel should bring a host of new readers to one of Italy’s most acclaimed authors.”—The Barnes and Noble Review
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“Ferrante draws an indelible picture of the city’s mean streets and the poverty， violence and sameness of lives lived in the same place forever . . . She is a fierce writer.”—Shelf Awareness
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“Ferrante transforms the love， separation and reunion of two poor urban girls into the general tragedy of their city.”––The New York Times
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“Beautifully translated by Ann Goldstein . . . Ferrante writes with a ferocious， intimate urgency that is a celebration of anger. Ferrante is terribly good with anger， a very specific sort of wrath harbored by women， who are so often not allowed to give voice to it. We are angry， a lot of the time， at the position we’re in—whether it’s as wife， daughter， mother， friend—and I can think of no other woman writing who is so swift and gorgeous in this rage， so bracingly fearless in mining?fury.”—Susanna Sonnenberg， The San Francisco Chronicle
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“Everyone should read anything with Ferrante’s name on it.”—The Boston Globe
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“The through-line in all of Ferrante’s investigations， for me， is nothing less than one long， mind-and-heart-shredding howl for the history of women (not only Neapolitan women)， and its implicit j’accuse . . . Ferrante’s effect， critics agree， is inarguable. ‘Intensely， violently personal’ and ‘brutal directness， familial torment’ is how James Wood ventures to categorize her—descriptions that seem mild after you’ve encountered the work.” —Joan Frank， The San Francisco Chronicle
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“Lila， mercurial， unsparing， and， at the end of this first episode in a planned trilogy from Ferrante， seemingly capable of starting a full-scale neighborhood war， is a memorable character.”—Publishers Weekly
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“An engrossing， wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society.” —The Los Angeles Review of Books
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“Ferrante’s own writing has no limits， is willing to take every thought forward to its most radical conclusion and backwards to its most radical birthing.”?—The New Yorker


The United Kingdom

“The Story of a New Name， like its predecessor， is fiction of the very highest order.” —Independent on Sunday
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“My Brilliant Friend， translated by Ann Goldstein， is stunning： an intense， forensic exploration of the friendship between Lila and the story’s narrator， Elena. Ferrante’s evocation of the working-class district of Naples where Elena and Lila first meet as two wiry eight-year-olds is cinematic in the density of its detail.”—The Times Literary Supplement
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“This is a story about friendship as a mass of roiling currents—love， envy， pity， spite， dependency and Schadenfreude coiling around one another， tricky to untangle.”—Intelligent Life
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“Elena Ferrante may be the best contemporary novelist you have never heard of. The Italian author has written six lavishly praised novels. But she writes under a pseudonym and will not offer herself for public consumption. Her characters likewise defy convention . . . Her prose is crystal， and her storytelling both visceral and compelling.”—The Economist
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Ferrante is an expert above all at the rhythm of plotting： certain feuds and oppositions are kept simmering and in abeyance for years， so that a particular confrontation – a particular scene – can be many hundreds of pages in coming， but when it arrives seems at once shocking and inevitable.”—The Independent


Italy
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“Those Who Leave and Those Who Stay evokes the vital flux of a heartbeat， of blood flowing through our veins.”––La Repubblica
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“We don’t know who she is， but it doesn’t matter. Ferrante’s books are enthralling self-contained monoliths that do not seek friendship but demand silent， fervid admiration from her passionate readers . . . The thing most real in these novels is the intense， almost osmotic relationship that unites Elena and Lila， the two girls from a neighborhood in Naples who are the peerless protagonists of the Neapolitan novels.”—Famiglia Cristiana
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“Today it is near impossible to find writers capable of bringing smells， tastes， feelings， and contradictory passions to their pages. Elena Ferrante， alone， seems able to do it. There is no writer better suited to composing the great Italian novel of her generation， her country， and her time than she.”—Il Manifesto
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“Elena Ferrante is a very great novelist . . . In a world often held prisoner to minimalism， her writing is extremely powerful， earthy， and audacious.”—Francesca Marciano， author of The Other Language
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“Regardless of who is behind the name Elena Ferrante， the mysterious pseudonym used by the author of the Neapolitan novels， two things are certain： she is a woman and she knows how to describe Naples like nobody else. She does so with a style that recalls an enchanted spider web with its expressive power and the wizardry with which it creates an entire world.” —Huffington Post (Italy)
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“A marvel that is without limits and beyond genre.”—Il Salvagente

“Elena Ferrante is proving that literature can cure our present ills; it can cure the spirit by operating as an antidote to the nervous attempts we make to see ourselves reflected in the present-day of a country that is increasingly repellent.”—Il Mattino

“My Brilliant Friend flows from the soul like an eruption from Mount Vesuvio.”—La Repubblica


Australia
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“No one has a voice quite like Ferrante’s. Her gritty， ruthlessly frank novels roar off the page with a barbed fury， like an attack that is also a defense . . . Ferrante’s fictions are fierce， unsentimental glimpses at the way a woman is constantly under threat， her identity submerged in marriage， eclipsed by motherhood， mythologised by desire. Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.”—John Freeman， The Australian
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“One of the most astounding—and mysterious—contemporary Italian novelists available in translation， Elena Ferrante unfolds the tumultuous inner lives of women in her thrillingly menacing stories of lost love， negligent mothers and unfulfilled desires.”—The Age
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“Ferrante bewitches with her tiny， intricately drawn world . . . My Brilliant Friend journeys fearlessly into some of that murkier psychological territory where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.” —The Melbourne Review
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“The Neapolitan novels move far from contrivance， logic or respectability to ask uncomfortable questions about how we live， how we love， how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty， their ugliness， their devotion and deceit， these girls enchant and repulse， like life， like our very selves.” —The Sydney Morning Herald
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“The best thing I’ve read this year， far and away， would be Elena Ferrante…I just think she puts most other writing at the moment in the shade. She’s marvelous. I like her so much I’m now doing something I only do when I really love the writer： I’m only allowing myself two pages a day.” —Richard Flanagan， author of Book prize finalist， The Narrow Road to the Deep North


Spain
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“Elena Ferrante’s female characters are genuine works of art . . . It is clear that her novel is the child of Italian neorealism and an abiding fascination with scene.”—El Pais


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前言/序言

《未竟之歌：流浪者的回响》图书简介 主题： 探寻身份认同、记忆的碎片化与重建，以及在历史洪流中个体选择的重量。 设定： 故事的背景设定在一个架空的、横跨数个世纪的欧亚大陆交界地带，一个被称为“界碑之地”的复杂文化熔炉。这里气候多变，历史遗迹与现代工业的痕迹交织，是不同民族、信仰和意识形态冲突与融合的前沿。 --- 引言：破碎的地图与失落的指南 在“界碑之地”的中心，矗立着一座古老的、据称能预测未来与回溯过去的巨大天文台——“观测塔”。然而，观测塔的运转早已失灵，其记录的星图如同被撕裂的羊皮卷，晦涩难懂。 本书讲述了三代人，三段看似独立却又在宿命的丝线上紧密相连的命运。他们都背负着一个共同的遗产：一个无法被完整拼凑的家族秘密，以及一段被官方历史抹去的集体记忆。 第一部：石板上的铭文与静默的守望者（时间：十九世纪末） 故事始于一个名叫伊利亚（Ilia）的年轻制图师。伊利亚隶属于一个致力于绘制“无主之地”——即那些在帝国扩张中被忽略或故意隐去的村落——的秘密社团。他的家族世代负责维护镇上唯一的公共图书馆，那里的藏书不仅是知识的载体，更是反抗暴政的无声武器。 伊利亚的工作并非简单地描绘地理坐标。他发现，古老的地图上存在着“情感层”：某些地名会随着居住者的信仰、财富或死亡而发生微妙的偏移。他的导师，一位年迈的语言学家，在临终前只留下了一句模糊的指令：“寻找那条流向不存在的河流的支流。” 在这一部分，伊利亚必须在帝国严酷的文化同化政策下，秘密地将这些“情感地图”记录下来。他与一位来自北方游牧民族的女性，莉拉（Lila），相遇。莉拉的部落因“界碑之地”的资源开发而被驱逐，她随身携带的唯一物件，是一块刻满了未知象形文字的玄武岩石板。伊利亚试图通过对比他地图上的符号与石板上的铭文，来理解家族历史中关于“迁移”的真正含义——究竟是主动的选择，还是被迫的流放。 这一部分的基调是压抑的、对真相的追寻，充满了对知识和土地的依恋。伊利亚的斗争，是如何在物理现实与精神地图之间架起桥梁。 第二部：尘封的机械与代际的裂痕（时间：二十世纪中叶） 场景转至“界碑之地”战后重建时期。伊利亚的孙子，阿列克谢（Alexei），是一位才华横溢但性格内敛的机械工程师。他继承了家族对细节的执着，但完全拒绝承认祖辈那些“虚无缥缈”的地图学或语言学追求。阿列克谢致力于复兴“观测塔”的机械核心，坚信只有精确的物理学和逻辑，才能带来真正的秩序与稳定。 然而，他的工作陷入僵局。观测塔的核心部件——一个复杂的多轴齿轮系统——似乎缺少了某个关键的“非物质”组件。阿列克谢在翻找祖父遗物时，发现了一系列看似矛盾的记录：精确的几何计算与抽象的诗歌描述并存。 此时，一股新的政治力量试图将“界碑之地”重新定义为一个单一的、光荣的民族叙事中心。他们要求阿列克谢提供技术支持，将观测塔改造成一个宣传国家统一的巨大“灯塔”。 阿列克谢的内心在实用主义和对家族隐秘遗产的本能好奇中撕扯。他与一位研究民间口述历史的社会学家，薇拉（Vera），产生了合作。薇拉收集到的故事，关于那些在战争和迁徙中“未曾归来”的人，他们的记忆碎片，似乎正好对应了阿列克谢机械装置中缺失的那些“空隙”。阿列克谢必须决定，他是否愿意将自己的科学严谨性，用于探寻那些可能动摇当前社会结构的“非理性”真相。 这一部分的冲突集中在科学理性与集体记忆的张力，以及个体在宏大叙事面前的妥协与抗争。 第三部：数字的幽灵与重构的疆域（时间：当代） 故事的焦点落在阿列克谢的女儿，索菲亚（Sofia），一位居住在国际都市的数字考古学家。索菲亚的工作是利用最新的数据挖掘技术，重建被自然灾害、战争和信息战破坏的文化数据库。 索菲亚偶然接触到一个被加密的、古老的卫星图像数据库，其数据源指向她祖辈世代守护的“界碑之地”。她发现，无论她如何尝试用算法还原图像，总有一些关键的“像素点”永远是空白的——它们似乎是被故意设置的“数据黑洞”。 索菲亚开始远程追踪那些似乎与“界碑之地”有联系的现代人物：一位在边境线上经营非法文物交易的商人，以及一位在社交媒体上散布关于“失落文明”的神秘博主。她意识到，家族的秘密并非仅仅是关于过去的地理位置，而是关于信息流动的路径和被截断的通讯。 为了理解这些数据黑洞的意义，索菲亚必须回到她疏远的家乡，面对那些充满铁锈和未解之谜的旧机械，以及那些仍然坚守着口头传统的最后一代“守望者”。她最终明白，家族的遗产不是一张地图，而是一个持续的“解码过程”。她必须决定，是否要将这些不完整、充满矛盾的真相公之于众，还是将其永远保留在加密的深处，以保护那些选择“不留下”的人的隐私与尊严。 核心主题与思考： 《未竟之歌》深入探讨了以下议题： 地图的权力： 谁有权定义边界？物理边界与心理边界的重叠与冲突。 记忆的重量： 记忆如何被编织、篡改和保护？一个社群如何界定自己，是基于共同拥有的历史，还是共同遗忘的部分？ 归属的代价： 留下的人与离开的人，各自付出了怎样的代价？而选择“留下”本身，是否也是一种不断重复的“离开”？ 本书以其丰富的历史层次、精密的机械意象和对数字时代信息伦理的深刻反思，构建了一幅关于身份、抵抗与传承的史诗画卷。它不是讲述一个关于胜利或失败的故事，而是关于如何在一个破碎的世界中，学会阅读那些模糊不清的指示牌，并勇敢地选择自己前行的方向。

评分☆☆☆☆☆

这本书的魅力就在于它对人性的洞察力，简直太深刻了。作者没有简单地描绘好人与坏人，而是将每个人物都塑造成了一个有血有肉、充满矛盾的复杂体。他们的选择，他们的挣扎，都深深植根于他们所处的环境和自身的经历之中，让人在评判的同时，也不禁反思自己。我特别喜欢那种在绝境中依然闪现出的人性光辉，那种不屈服的生命力，读起来非常振奋人心。尽管篇幅不短，但阅读过程却丝毫没有感到拖沓，每一个段落都充满了力量感，让人迫不及待想知道接下来会发生什么。这是一部真正能触动灵魂的作品。

评分☆☆☆☆☆

我向来不太喜欢篇幅过长的作品，但这一本完全打破了我的偏见。作者的笔力之强，可见一斑。他似乎有一种魔力，能将最琐碎的生活片段也写得引人入胜，同时又能驾驭史诗般的宏大叙事。语言的运用上，简直是一种享受，那些精心挑选的词汇，那些富有韵律感的句子结构，读起来简直是一种听觉和智力上的双重盛宴。我经常需要停下来，反复咀嚼某一段话，感受那种文字本身带来的美感和冲击力。对于那些追求文学性的读者来说，这本书绝对是不可多得的珍宝，它让你重新爱上文字本身的力量。

评分☆☆☆☆☆

这本书真是让人欲罢不能，翻开它就像是踏入了一个完全不同的世界。作者的文字功底深厚，描绘的场景和人物都栩栩如生，每一个细节都处理得恰到好处，让人仿佛身临其境。故事情节的推进张弛有度，高潮迭起，每一次转折都出乎意料却又合乎情理，读起来酣畅淋漓。我尤其欣赏作者对于人物内心世界的刻画，那些复杂的情感纠葛、内心的挣扎和成长，都被展现得淋漓尽致，让人感同身受。读完之后，那种意犹未尽的感觉久久不能散去，甚至会忍不住去思考书中所探讨的那些深刻的主题。这本书不仅仅是一个故事，更像是一次深刻的生命体验，强烈推荐给所有热爱深度阅读的同好们。

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这部作品最成功的地方，或许在于它成功地在黑暗和希望之间找到了一个微妙的平衡点。你会在故事中经历巨大的痛苦和失落，但同时，那些关于勇气、友谊和坚守的描写又会给你带来无尽的力量。它让你直面人生的残酷性，却又提醒你，即便在最寒冷的时刻，人与人之间的联结依然是最强大的武器。我感觉自己在读完之后，对现实生活中的一些问题似乎也有了更清晰、更宽容的理解。它不是那种读完就忘的快餐文学，而是会留在你记忆深处，时不时跳出来提醒你某些重要真理的经典之作。强烈推荐，绝对值得你投入时间去细细品味。

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说实话，一开始我对这本书抱有很高的期待，毕竟名声在外，但真正读进去之后，发现它比我想象的还要精彩得多。作者的叙事风格非常独特，时而磅礴大气，时而细腻入微，这种节奏的切换处理得非常高明。书中的世界观构建得极为宏大而完整，每一个设定都有其深层次的逻辑支撑，让人不得不佩服作者的想象力和构建能力。我花了好些时间去品味其中的一些隐喻和象征，每一次重读似乎都能发现新的含义，这种多层次的解读空间是很多作品所不具备的。它不只是提供了一个消遣的读物，更像是一把钥匙，打开了通往更广阔思想领域的门。