Chinese Painting and Its Audiences

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Craig Clunas
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Princeton University Press 2017-3-7 Hardcover 9780691171937

具体描述

Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.

Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.

Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

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##写得很fancy,问题是太fancy了......感觉第六章简直没法翻成中文,处处皆雷点~

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##柯律格的典范之作,清晰的西式的脑回路。

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从观看观众角度(士绅,宫廷帝王,商人及人民)角度出发,结合了历史政治社会文化角度,解析明至20世纪中国的绘画。置于全球性研究的语境下。多的已有介绍,谈点小感受吧。书中提到了相对于中西绘画二分法的绘画中存在的impurity和二十世纪面对的inauthenticity。在看似“习以...  

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##The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of the concept of "painting" in China。关心的问题并不新颖了,对“Chineseness”的提问也不前言了,但在艺术史领域一直没有这样的写作也是奇怪。柯律格运用大量史料和物证,分析大量绘画来证明他的论点。一次有趣的阅读体验。

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