Chinese Painting and Its Audiences

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Craig Clunas
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Princeton University Press 2017-3-7 Hardcover 9780691171937

具体描述

Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.

Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.

Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

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##拿到书的时候就被最后厚厚的注释和参考文献部分惊到了,距离上次读到很多注释和参考文献的书还是几年前林语堂的《苏东坡传》。 不过正式读起来就发现并不是如想象中晦涩,作者在学术性和可读性之间实现了很好的平衡。(丰富细腻的插画也有功劳,毕竟谁会不喜欢画哩?) 我是很乐...  

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##"Chinese Painting"解构大法:turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively long span of time.

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大学论文以柯律格为题,那时读的《谁在看中国画》英文版(Chinese Painting and Its Audiences),大大一本,既是学术著作又有画册的气派。如今邂逅中文版,开本小了很多,比原版易读,同时图片仍然精彩,是很成功的汉化版。 这本书的中心问题是:什么是中国画? 中国人画的画...  

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##思路很清晰,启发很大的一本书

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