Chinese Painting and Its Audiences

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Craig Clunas
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Princeton University Press 2017-3-7 Hardcover 9780691171937

具體描述

Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.

Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.

Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

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##這本書讀完,倒是像讀瞭一本史書,而不是藝術書籍。裏麵大量的文獻引用,幾乎占瞭半本書。但是這種繪畫史的寫作方式,又隻是用來探討本書的最主要三個問題:"在中國,什麼是畫的本來概念;當今這個中國畫概念是怎麼來的;我們未來需要怎麼去看中國畫?" 毫無疑問,作者認為中國...  

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##剛翻瞭引言和第一章的時候,腦袋是懵的,作為一個業餘愛好者,看到“自我指涉”“事務的對立”“抑製與省略”“被排除的曆史”“自我文化的自我定義”“不相稱的同步性”……簡直是雲裏霧裏。 因為是參加“共振書評周”活動的贈書,幾乎要懷著愧疚放棄的時候,想起來羅翔老師說...  

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##Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences.

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