不错,物流很快。赞?,全给5分
评分有名的一本书。但是没啥帮助
评分The Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditiona
评分这本书一直想买的,十分经典的书,这本书是在国外很流行的一本概率论教材,比国内一般的概率论都要难,作者钟开莱是传说中的人物。这书折扣一直很小,因为需要,见有小活动,也就没怎么犹豫下单了。双十一,物流都很忙,京东还是很准时的送到了。
评分帮老师买的
评分钟开来的概率论算是简单而全面的书了
评分呃呃 一不小心买了数学专业的书 好难
评分评分
钟开莱的概率论是这个方面的经典,书中用测度论的观点讲述了概率
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