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Charles Dickens（查爾斯·狄更斯） 著

圖書標籤:

• 小說
• 英國文學
• 古典文學
• 狄更斯
• 維多利亞時期
• 幽默
• 諷刺
• 長篇小說
• 平裝本
• 文學名著

齣版社： Bantam Press

ISBN：9780553211238

版次：1

商品編碼：19017083

包裝：平裝

叢書名： Bantam Classic

齣版時間：1983-08-01

頁數：757

正文語種：英文

商品尺寸：17.27x10.67x3.81cm;0.34kg

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Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

In The Pickwick Papers (1837), members of the eponymous club recreate the ludicrous follies of nineteenth century England. Yet beneath the grotesqueries they chronicle runs a counterpoint of debtors' prisons, corruption and unreformed elections. With characteristic compassion and caustic satire, Dickens confronts the darker side of these charming anecdotes, in the novel that vaulted him from journalistic obscurity to literary pre-eminence.

內容簡介

The high-spirited work of a young Dickens, The Pickwick Papers is the remarkable first novel that made its author famous and that has remained one of the best-known books in the world. In it the inimitable Samuel Pickwick, his well-fed body and unsinkable good spirits clad in tights and gaiters, sallies forth through the noisy streets of London and into the colorful country inns of rural England for a series of sparkling encounters with love and misadventure. From the wit of cockney bootblack Sam Weller to the unforgettable Fat Boy and rascals like the amorous Mr. Jingle and the unscrupulous lawyers Dodson and Fogg, The Pickwick Papers reels with joyous fantasy, infectious good humor, and a touch of the macabre—a classic work that G. K. Chesterton called "the great example of everything that made Dickens great… supreme masterpiece."

作者簡介

Charles Dickens was born in 1812 near Portsmouth where his father was a clerk in the navy pay office. The family moved to London in 1823, but their fortunes were severely impaired. Dickens was sent to work in a blacking-warehouse when his father was imprisoned for debt. Both experiences deeply affected the future novelist. In 1833 he began contributing stories to newspapers and magazines, and in 1836 started the serial publication of Pickwick Papers. Thereafter, Dickens published his major novels over the course of the next twenty years, from Nicholas Nickleby to Little Dorrit. He also edited the journals Household Words and All the Year Round. Dickens died in June 1870.

　　查爾斯·狄更斯（Charles Dickens，1812～1870），1812年生於英國的樸次茅斯。父親過著沒有節製的生活，負債纍纍。年幼的狄更斯被迫被送進一傢皮鞋油店當學徒，飽嘗瞭艱辛。狄更斯16歲時，父親因債務被關進監獄。從此，他們的生活更為悲慘。工業革命一方麵帶來瞭19世紀前期英國大都市的繁榮，另一方麵又帶來瞭庶民社會的極端貧睏和對童工的殘酷剝削。尖銳的社會矛盾和不公正的社會製度使狄更斯決心改變自己的生活。15歲時，狄更斯在一傢律師事務所當抄寫員並學習速記，此後，又在報社任新聞記者。在《記事晨報》任記者時，狄更斯開始發錶一些具有諷刺和幽默內容的短劇，主要反映倫敦的生活，逐漸有瞭名氣。他瞭解城市底層人民的生活和風土人情，這些都體現在他熱情洋溢的筆端。此後，他在不同的雜誌社任編輯、主編和發行人，其間發錶瞭幾十部長篇和短篇小說，主要作品有《霧都孤兒》、《聖誕頌歌》、《大衛·科波菲爾》和《遠大前程》等。
　　狄更斯的作品大多取材於與自己的親身經曆或所見所聞相關聯的事件。他在書中揭露瞭濟貧院駭人聽聞的生活製度，揭開瞭英國社會底層的可怕秘密，淋灕盡緻地描寫瞭社會的黑暗和罪惡。本書起筆便描寫瞭主人公奧利弗生下來便成為孤兒，以及在濟貧院度過的悲慘生活。後來，他被迫到殯儀館做學徒，又因不堪忍受虐待而離傢齣走。孤身一人來到倫敦後，又落入瞭竊賊的手中。狄更斯在其作品中大量描寫瞭黑暗的社會現實，對平民階層寄予瞭深切的嚮情，並無情地批判瞭當時的社會製度。他在小說描寫的現實性和人物的個性化方麵成績是突齣的。他成為繼莎士比亞之後，塑造作品人物數量最多的一個作傢。

精彩書摘

Chaoter I

The Pickwickians.

The first ray of light which illumines the gloom, and converts into a dazzling brilliancy that obscurity in which the earlier history of the public career of the immortal Pickwick would appear to be involved, is derived from the perusal of the following entry in the Transactions of the Pickwick Club, which the editor of these papers feels the highest pleasure in laying before his readers, as a proof of the careful attention, indefatigable assiduity, and nice discrimination, with which his search among the multifarious documents confided to him has been conducted.

"May 12, 1827. Joseph Smiggers, Esq., P.V.P.M.P.C.,* presiding. The following resolutions unanimously agreed to:

"That this Association has heard read, with feelings of unmingled satisfaction, and unqualified approval, the paper communicated by Samuel Pickwick, Esq., G.C.M.P.C.,Y entitled 'Speculations on the Source of the Hampstead Ponds, with some Observations on the Theory of Tittlebats;' and that this Association does hereby return its warmest thanks to the said Samuel Pickwick, Esq., G.C.M.P.C., for the same.

"That while this Association is deeply sensible of the advantages which must accrue to the cause of science from the production to which they have just adverted,-no less than from the unwearied researches of Samuel Pickwick, Esq., G.C.M.P.C., in Hornsey, Highgate, Brixton, and Camberwell,-they cannot but entertain a lively sense of the inestimable benefits which must inevitably result from carrying the speculations of that learned man into a wider field, from extending his travels, and consequently enlarging his sphere of observation, to the advancement of knowledge, and the diffusion of learning.

"That, with the view just mentioned, this Association has taken into its serious consideration a proposal, emanating from the aforesaid Samuel Pickwick, Esq., G.C.M.P.C., and three other Pickwickians hereinafter named, for forming a new branch of United Pickwickians, under the title of The Corresponding Society of the Pickwick Club.

"That the said proposal has received the sanction and approval of this Association.

"That the Corresponding Society of the Pickwick Club is therefore hereby constituted; and that Samuel Pickwick, Esq., G.C.M.P.C., Tracy Tupman, Esq., M.P.C., Augustus Snodgrass, Esq., M.P.C., and Nathaniel Winkle, Esq., M.P.C., are hereby nominated and appointed members of the same; and that they be requested to forward, from time to time, authenticated accounts of their journeys and investigations, of their observations of character and manners, and of the whole of their adventures, together with all tales and papers to which local scenery or associations may give rise, to the Pickwick Club, stationed in London.

"That this Association cordially recognises the principle of every member of the Corresponding Society defraying his own travelling expenses; and that it sees no objection whatever to the members of the said society pursuing their inquiries for any length of time they please, upon the same terms.

"That the members of the aforesaid Corresponding Society be, and are, hereby informed, that their proposal to pay the postage of their letters, and the carriage of their parcels, has been deliberated upon by this Association: that this Association considers such proposal worthy of the great minds from which it emanated, and that it hereby signifies its perfect acquiescence therein."

A casual observer, adds the secretary, to whose notes we are indebted for the following account-a casual observer might possibly have remarked nothing extraordinary in the bald head, and circular spectacles, which were intently turned towards his (the secretary's) face, during the reading of the above resolutions: to those who knew that the gigantic brain of Pickwick was working beneath that forehead, and that the beaming eyes of Pickwick were twinkling behind those glasses, the sight was indeed an interesting one. There sat the man who had traced to their source the mighty ponds of Hampstead, and agitated the scientific world with his Theory of Tittlebats, as calm and unmoved as the deep waters of the one on a frosty day, or as a solitary specimen of the other in the inmost recesses of an earthen jar. And how much more interesting did the spectacle become, when, starting into full life and animation, as a simultaneous call for "Pickwick" burst from his followers, that illustrious man slowly mounted into the Windsor chair, on which he had been previously seated, and addressed the club himself had founded. What a study for an artist did that exciting scene present! The eloquent Pickwick, with one hand gracefully concealed behind his coat tails, and the other waving in air, to assist his glowing declamation; his elevated position revealing those tights and gaiters,4 which, had they clothed an ordinary man, might have passed without observation, but which, when Pickwick clothed them-if we may use the expression-inspired voluntary awe and respect; surrounded by the men who had volunteered to share the perils of his travels, and who were destined to participate in the glories of his discoveries. On his right hand sat Mr. Tracy Tupman-the too susceptible Tupman, who to the wisdom and experience of maturer years superadded the enthusiasm and ardour of a boy, in the most interesting and pardonable of human weaknesses-love. Time and feeding had expanded that once romantic form; the black silk waistcoat had become more and more developed; inch by inch had the gold watch-chain beneath it disappeared from within the range of Tupman's vision; and gradually had the capacious chin encroached upon the borders of the white cravat, but the soul of Tupman had known no change-admiration of the fair sex was still its ruling passion. On the left of his great leader sat the poetic Snodgrass, and near him again the sporting Winkle, the former poetically enveloped in a mysterious blue cloak with a canine-skin collar, and the latter communicating additional lustre to a new green shooting coat, plaid neckerchief, and closely-fitted drabs.

Mr. Pickwick's oration upon this occasion, together with the debate thereon, is entered on the Transactions of the Club. Both bear a strong affinity to the discussions of other celebrated bodies; and, as it is always interesting to trace a resemblance between the proceedings of great men, we transfer the entry to these pages.

"Mr. Pickwick observed (says the Secretary) that fame was dear to the heart of every man. Poetic fame was dear to the heart of his friend Snodgrass; the fame of conquest was equally dear to his friend Tupman; and the desire of earning fame in the sports of the field, the air, and the water, was uppermost in the breast of his friend Winkle. He (Mr. Pickwick) would not deny that he was influenced by human passions, and human feelings (cheers)-possibly by human weaknesses-(loud cries of 'No'); but this he would say, that if ever the fire of self-importance broke out in his bosom, the desire to benefit the human race in preference effectually quenched it. The praise of mankind was his Swing; philanthropy was his insurance office. (Vehement cheering.) He had felt some pride-he acknowledged it freely, and let his enemies make the most of it-he had felt some pride when he presented his Tittlebatian Theory to the world; it might be celebrated or it might not. (A cry of 'It is,' and great cheering.) He would take the assertion of that honourable Pickwickian whose voice he had just heard-it was celebrated; but if the fame of that treatise were to extend to the furthest confines of the known world, the pride with which he should reflect on the authorship of that production would be as nothing compared with the pride with which he looked around him, on this, the proudest moment of his existence. (Cheers.) He was a humble individual. (No, no.) Still he could not but feel that they had selected him for a service of great honour, and of some danger. Travelling was in a troubled state, and the minds of coachmen were unsettled. Let them look abroad, and contemplate the scenes which were enacting around them. Stage coaches were upsetting in all directions, horses were bolting, boats were overturning, and boilers were bursting. (Cheers-a voice 'No.') No! (Cheers.) Let that honourable Pickwickian who cried 'No' so loudly come forward and deny it, if he could. (Cheers.) Who was it that cried 'No?' (Enthusiastic cheering.) Was it some vain and disappointed man-he would not say haberdasher-(loud cheers)-who, jealous of the praise which had been-perhaps undeservedly-bestowed on his (Mr. Pickwick's) researches, and smarting under the censure which had been heaped upon his own feeble attempts at rivalry, now took this vile and calumnious mode of--

"Mr. Blotton (of Aldgate) rose to order. Did the honourable Pickwickian allude to him? (Cries of 'Order,' 'Chair,' "'Yes,' 'No,' 'Go on,' 'Leave off,' &c.;)

"Mr. Pickwick would not put up to be put down by clamour. He had alluded to the honourable gentleman. (Great excitement.)

"Mr. Blotton would only say then, that he repelled the hon. gent.'s false and scurrilous accusation, with profound contempt. (Great cheering.) The hon. gent. was a humbug. (Immense confusion, and loud cries of 'Chair' and 'Order.')

"Mr. A. Snodgrass rose to order. He threw himself upon the chair. (Hear.) He wished to know whether this disgraceful contest between two members of that club should be allowed to continue. (Hear, hear.)

"The Chairman was quite sure the hon. Pickwickian would withdraw the expression he had just made use of.

"Mr. Blotton, with all possible respect for the chair, was quite sure he would not.

"The Chairman felt it his imperative duty to demand of the honourable gentleman, whether he had used the expression which had just escaped him in a common sense.

"Mr. Blotton had no hesitation in saying that he had not-he had used the word in its Pickwickian sense...

經典文學瑰寶：維多利亞時代英國社會風情畫捲 書名：《霧鎖白教堂》 作者：塞繆爾·霍姆斯 比爾 齣版信息：[平裝] [英國文學經典再版係列] 頁碼/篇幅：約850頁 --- 導言：探尋十九世紀倫敦的脈搏 《霧鎖白教堂》並非一部輕鬆的消遣之作，它是一部深刻、錯綜復雜、充滿瞭維多利亞時代初期倫敦社會陰影與光明的史詩。本書將帶領讀者，穿越濃密的泰晤士河霧氣，深入到那個既有宏偉的工業進步，又飽受貧睏、階級固化和道德睏境摺磨的時代心髒地帶。 本書的敘事焦點集中在倫敦東區（East End）的白教堂（Whitechapel）地區，這是一個被上流社會遺忘、卻充滿生命力的角落。故事以一群身份迥異的人物為核心，通過他們相互交織的命運，構建起一幅細緻入微、令人震撼的社會風情畫。 第一部分：迷霧中的契約與繼承 故事的開篇，我們遇到瞭主人公，阿奇博爾德·芬奇——一位來自新興中産階級的年輕律師。芬奇先生以其過度的謹慎和對法律條文的近乎癡迷而聞名，他繼承瞭一筆數目可觀但背景可疑的遺産，這筆遺産的附帶條件是，他必須在倫敦東區居住滿五年，並“瞭解並改善”他所負責的區域內至少三戶貧睏傢庭的生活狀況。 芬奇最初的行動是機械和充滿傲慢的。他將慈善視為一種業務，試圖用精密的錶格和枯燥的規定去“管理”人性。然而，他很快就被捲入瞭一樁復雜的房産糾紛中——這糾紛牽扯到當地一個世代經營的船塢傢族，奧斯汀傢族。老奧斯汀船長是一位固執、正直但卻日益衰落的海洋工匠，他的船塢麵臨著被投機商吞並的危險。 通過調查這樁房産案，芬奇不得不開始與他過去鄙視的底層民眾進行直接接觸。他發現，法律條文的冰冷遠不如人情世故的溫暖和復雜。 第二部分：白教堂的眾生相與道德睏境 本書的魅力在於其豐富的人物群像。在白教堂的陰暗小巷中，芬奇遇到瞭形形色色的人物： 艾米莉亞·斯通（Emilia Stone）：一位受過良好教育的年輕女子，卻被迫在一傢低劣的織布作坊工作以維持她生病的弟弟的生計。她代錶瞭維多利亞時代受壓迫女性知識分子的一群。艾米莉亞不僅是受助者，她通過自己對識字率的堅持和對工人權利的默默倡導，成為瞭芬奇的啓濛者。 “老鼠”傑剋（Jack the Rat）：一個遊走於法律邊緣的“信息掮客”。他深諳倫敦下水道和地下世界的運作規律。傑剋並非傳統意義上的罪犯，而是一個生存大師。他為芬奇提供瞭關鍵的綫索，揭露瞭投機商操縱市場、利用童工的骯髒內幕。 哈裏斯牧師（Reverend Harris）：一位富有激情但方法過時的教區牧師。他堅信道德救贖高於物質救濟，常常與主張社會改革的實乾傢們産生衝突。他的掙紮反映瞭當時教會麵對工業化帶來的巨大社會衝擊時的迷茫。 隨著故事的深入，芬奇被捲入瞭一場關於“社會責任”的大辯論中。他需要決定，究竟是遵循他繼承的財富所附帶的、基於“布施”的冷漠義務，還是采取更激進、更具有革命性的社會改革行動。 第三部分：船塢的抗爭與真相的浮現 核心衝突集中在奧斯汀船塢的命運上。投機商的幕後勢力試圖通過僞造文件和恐嚇手段，迫使奧斯汀傢族低價齣售。芬奇和艾米莉亞聯手，利用他律師的專業知識和她對社區的瞭解，開始著手搜集證據。 這段情節詳細描繪瞭維多利亞時代工人階級的抗爭。當船塢工人麵臨失業的威脅時，他們組織瞭非正式的罷工，展示瞭底層民眾在絕境中的團結與韌性。小說細緻刻畫瞭警方和地方法院如何偏袒有權勢的一方，以及那些試圖尋求正義的普通人所付齣的代價。 高潮部分，在一場暴風雨夜的法庭審理中，芬奇利用“老鼠”傑剋提供的關鍵證詞，揭露瞭投機商利用船塢工人失業的恐慌，故意破壞船隻以製造恐慌性拋售的陰謀。 結局：從規則到人性的轉變 最終，奧斯汀傢族保住瞭船塢，但代價是巨大的。芬奇也經曆瞭徹底的蛻變。他不再是那個隻相信書本上規則的年輕律師。他學會瞭在灰色地帶工作，理解瞭有時打破僵化的法律程序，是為瞭捍衛更高的道德和正義。他選擇將自己的遺産大部分投入到建立一個由社區主導的工人互助基金中，而不是簡單地捐贈給教堂或慈善機構。 藝術特色與主題 《霧鎖白教堂》的敘事風格繼承瞭十九世紀現實主義的傳統，其語言典雅而富有層次感。作者對比鮮明地運用瞭“霧”這一意象：上流社會的迷霧象徵著道德的模糊與政治的腐敗；而白教堂的濃霧則代錶瞭物理環境的惡劣和底層人民的被遮蔽。 本書探討的核心主題包括： 1. 階級鴻溝與社會流動性：探討瞭財富和齣身在維多利亞時代社會結構中的決定性作用。 2. 慈善的本質：區分瞭高高在上的“布施”與基於平等和尊重的“互助”之間的根本差異。 3. 法律與正義的悖論：展現瞭法律工具如何可能被用來維護不公，以及真正的正義往往需要超越文本的勇氣。 本書不僅是一部引人入勝的小說，更是一份關於工業革命時期英國社會結構、經濟壓力與人性掙紮的百科全書式的記錄。它邀請每一位讀者，去直麵那些被曆史的宏大敘事所掩蓋的、真實的倫敦故事。

評分☆☆☆☆☆

這本書的文字功底簡直瞭不得，每一個句子都像是經過精心打磨的寶石，閃爍著作者獨特的智慧和幽默感。閱讀的過程就像是進行一場智力上的探戈，你得跟上作者那跳躍性的思維和層齣不窮的諷刺。我尤其欣賞作者在描繪那些形形色色的人物時所展現齣的細膩觀察力，那些栩栩如生、帶著鮮明時代烙印的角色們，仿佛隨時都能從紙頁中走齣來，在你麵前喋喋不休。那種對社會百態的洞察力，不是那種生硬的說教，而是巧妙地編織在那些看似漫不經心的對話和荒誕的場景之中，讓人在會心一笑的同時，又能感受到一絲對人性的深刻理解。這種文字的韻律感和節奏感，在現代文學中已屬罕見，它要求讀者必須全神貫注，因為稍有走神，可能就會錯過一個精妙的雙關語或者一個隱藏在字裏行間的深刻寓意。我花瞭比預期更長的時間來品讀它，不是因為內容晦澀，而是因為我忍不住要反復咀嚼那些絕妙的措辭，那種沉浸式的閱讀體驗，實在是一種享受，讓人不禁感嘆，文字的力量可以如此強大，既能描摹齣最荒唐的鬧劇，又能透露齣最真實的哲理。

評分☆☆☆☆☆

這本書最讓人津津樂道的，無疑是它那種深入骨髓的、帶著善意的嘲弄。它不是惡意的抨擊，而更像是一個睿智的長者，微笑著看著世人錶演他們的可笑舉止。那些被塑造成主角的那些紳士們，他們身上集中瞭那個時代許多美好的品質——忠誠、天真、熱心腸——但同時也帶著令人啼笑皆非的迂腐和脫離現實的可愛。他們的動機總是高尚的，但執行起來卻常常鬧齣天大的笑話。這種將崇高理想與世俗笨拙並置的手法，製造齣瞭一種奇特的張力，讓人既為他們的善良而感動，又為他們的不閤時宜而發笑。它成功地捕捉到瞭一種普遍的人類睏境：我們都渴望成為更好的人，卻常常被自己的局限性所絆倒。這種對“好人”的刻畫，比描繪完美的英雄要復雜和動人得多，因為它讓人在哈哈大笑之後，能清晰地看到自己的影子，那種共鳴感是極其強大的。

評分☆☆☆☆☆

這本書的結構布局簡直是天馬行空，它沒有傳統小說那種嚴絲閤縫的綫性敘事，反而更像是一係列精心策劃的、充滿意外的旅行日誌和法庭記錄的混搭。這種非傳統的敘事方式，初讀時可能會讓人有些措手不及，感覺情節的走嚮完全不可預測，但一旦適應瞭這種自由奔放的節奏，你會發現它有著驚人的內在邏輯和鬆弛有度的美感。作者似乎非常享受這種打破常規的自由，他毫不留情地將讀者拋入各種意想不到的場景——從鄉間小鎮的滑稽集會到倫敦的喧囂法庭，再到鄉紳們的私密聚會，每一個場景都如同一個獨立的舞颱劇，有著自己獨特的光影和音效。這種片段式的敘事，反而更貼近生活的真實感——生活本身就是由無數個碎片化的精彩瞬間構成的，而非一成不變的直綫。對於那些習慣於被清晰的“起承轉閤”所引導的讀者來說，這可能需要一點耐心去適應，但一旦你接受瞭它的遊戲規則，你會發現這種結構賦予瞭故事極大的生命力和迴味空間，讓你對下一頁會發生什麼永遠抱有熱切的期待。

評分☆☆☆☆☆

從整體氛圍來看，這部作品散發著一種溫暖而懷舊的氣息，仿佛是一張泛黃的老照片，雖然色彩不再鮮亮，但每一個細節都充滿瞭故事感。它成功地營造瞭一種“共同體”的氛圍，讓讀者感覺自己不是一個旁觀者，而是一個被接納的參與者，坐在壁爐邊，聽著老朋友們講述他們最近的奇遇。這種親切感，很大程度上歸功於作者對“日常細節”的著墨。一杯熱茶的溫度，一場寒風中的徒步，一次突如其來的宴會，這些微小的生活片段，被賦予瞭不亞於重大事件的關注度。正是這些瑣碎卻又真實的細節，將那些天馬行空的冒險和略顯誇張的戲劇性場景牢牢地固定在瞭大地上，讓整個故事既有想象的自由度，又不失生活的重量感。讀完之後，留下的不是對某個特定情節的強烈記憶，而是一種對“生活本身”的溫柔迴味，一種對過去美好時光的依戀。

評分☆☆☆☆☆

我必須承認，這本書中那些關於法律和地方政治的描寫，初看時略顯冗長和繁瑣，充滿瞭那個時代特有的專業術語和冗餘的程序。但這恰恰是它魅力的一部分，它不是在“解釋”那個時代，而是在“重現”那個時代。作者似乎對當時社會體製的某些方麵抱有一種既嘲諷又無奈的復雜情感，他用近乎百科全書式的詳盡，展現瞭官僚主義的僵化和程序正義的滑稽可笑。盡管有時我需要停下來查閱一下背景知識，以更好地理解那些爭論的焦點，但正是這些看似“無用”的細節，為整部作品搭建瞭一個堅實而有趣的時代基石。它不是那種輕飄飄的浪漫故事，而是帶著泥土和墨水味道的社會剖析。那些冗長的辯論和信件往來，最終都匯聚成一股強大的暗流，推動著人物命運的發展，也諷刺著那些脫離瞭實際、隻顧著維護自身體麵和規則的“精英”們。

評分☆☆☆☆☆

狄更斯代錶作之一，很厚一本。可惜送來的有破損，京東原版書最近基本都有瑕疵，還需加強管理。

評分☆☆☆☆☆

非常滿意，還會再次購買，感謝配送師傅。希望更多些大品牌質量有保證産品的促銷活動

評分☆☆☆☆☆

商品非常好，紙質非常棒，京東就是好

評分☆☆☆☆☆

The Pickwick Papers[匹剋威剋外傳]

評分☆☆☆☆☆

不錯一本書 我超喜歡

評分☆☆☆☆☆

非常滿意，還會再次購買，感謝配送師傅。希望更多些大品牌質量有保證産品的促銷活動

評分☆☆☆☆☆

經典小說，排版很好，拿在手裏看舒服

評分☆☆☆☆☆

活動期間囤瞭很多書，矮腳雞版本就是很實惠，很好用，存起來～還差幾本靜靜等～

評分☆☆☆☆☆

不錯，原版書便宜，就是要好好讀書。