具體描述
David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
用戶評價
##16年（或者15年？）在盧米埃看瞭NTLive版之後第一時間下單。已經忘記瞭當時那樣被打動的理由。這迴翻齣來，重讀二人針鋒相對的譏諷，熟悉又陌生，仿佛在透視自己價值觀形成的隱秘前史。還有那頓結尾的麗茲早餐，在糾纏前夜之後到來，雪白的桌布如房間外的初雪一般純淨，治愈。
評分##618買的 讀完瞭 現在的我依舊不理解二者的衝突為何沒有對錯 明顯是女方更清醒獨立
評分 評分##成年人之間情感碰撞和觀點交鋒，被對話戳中好多次。錯過瞭黃生的“前度”，好在沒有錯過這麼精彩的原版劇本。
評分 評分 評分##“我懷念一頓精美的早餐。包在餐巾裏的烤片。羊角麵包。鍍銀的咖啡壺，熱氣騰騰的咖啡。新鮮炒雞蛋。這些，之前我從來沒擁有過。失去之後，我對它們的懷念，比我想象得厲害得多。”
評分##everything revealed, but nothing changed.
評分##太好看瞭，超級喜歡，這就是我最喜歡的一類戲。有關愛情，但是遠高於愛情，普通人無法理解為什麼兩個孤獨並且仍然愛著彼此的人不能重新在一起——因為他們本身就過於復雜過於完整瞭，並且他們的迴憶和此時的分歧過於強烈，遠超即時的情感。
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