David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
A night like a skylight, changed nothing, revealed everything, and brought understanding.
评分##“No more flowers.” "Why not?" "It isn't the same. The flowers were when you loved me. You and I were really in love. Now I don't want them." ?
评分##至少结尾是温暖的。
评分##16年(或者15年?)在卢米埃看了NTLive版之后第一时间下单。已经忘记了当时那样被打动的理由。这回翻出来,重读二人针锋相对的讥讽,熟悉又陌生,仿佛在透视自己价值观形成的隐秘前史。还有那顿结尾的丽兹早餐,在纠缠前夜之后到来,雪白的桌布如房间外的初雪一般纯净,治愈。
评分##总感觉faber&faber的书装帧没有penguin系的好,这是唯一的遗憾。纸张也不太令人满意…但这本书实在是喜欢,薄薄的一册。表演令人印象深刻,剧本也很好读。
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