具體描述
Stephen Owen is James Bryant Conant University Professor, Emeritus, at Harvard University.
“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.
As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.
用戶評價
##As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older "Classical Poetry," shi. 宇文所安關於詞研究的最新力作。有此書英...
評分##鮑勃迪倫獲得諾貝爾文學奬，最重大的意義是，文學的疆域被拓展瞭。宇文所安的這本《隻是一首歌：中國11世紀至12世紀初的詞》，如果用比對，那麼寫的就是詞如何從勾欄瓦肆中被妓女所唱到成為重要的文學作品的過程。這裏麵重要的兩個人物，即是大傢耳熟能詳的柳永和蘇軾。 柳永的...
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評分##先吐槽下這本書標題的翻譯。乍一看會誤會作者有對詞體持貶損態度的意味，實則強調歌詠的形式。所以重音應落在“歌”而不是“隻是”。 本書從歌唱形式的源頭齣發，認為最初的詞是以歌詞集的形式流傳於世，後來在追述詞史時纔追溯作者。但如今的研究先都是從作者齣發，忽略瞭詞作...
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