具体描述
Stephen Owen is James Bryant Conant University Professor, Emeritus, at Harvard University.
“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.
As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.
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##先吐槽下这本书标题的翻译。乍一看会误会作者有对词体持贬损态度的意味，实则强调歌咏的形式。所以重音应落在“歌”而不是“只是”。 本书从歌唱形式的源头出发，认为最初的词是以歌词集的形式流传于世，后来在追述词史时才追溯作者。但如今的研究先都是从作者出发，忽略了词作...
评分 评分 评分 评分 评分##As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older "Classical Poetry," shi. 宇文所安关于词研究的最新力作。有此书英...
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